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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For May 15th, 2011

Stanley Ka Dabba: The food of love

May 15, 2011 · by sudhishkamath

Genre: Drama

Director: Amole Gupte

Cast: Partho, Numaan Sheikh, Abhishek Reddy, Divya Dutta, Amole Gupte, Raj Zutshi

Storyline: A boy who never brings his lunch box to school needs to figure out a way to cope with the increasing pressure of academics and a teacher who wants his lunch.

Bottomline: A heartwarming take on the pangs of childhood that chokes you in small doses all through.

The Dabba is a metaphor really. And food is what makes their world goes round. Every day, during lunch hour, children open up their dabbas to each other and share a bit of that homemade love. Lunch hour at school could be a defining social leveller, a melting pot in a country of different tastes, cultures and social backgrounds.

Stanley, the spirited protagonist, has a bunch of great buddies as his support system, a caring English teacher who he has a crush on, a never-say-die drive to learn and oodles of talent. When it comes to intelligence, he’s the anti-thesis to the dyslexic Ishaan (Darsheel Safari) in Amole Gupte’s first script, ‘Taare Zameen Par’ (He was also the director of that film before Aamir Khan took over the project and Gupte was credited as Creative Director). Stanley is tougher than Ishaan. And smarter. In his own way though, not always conforming to the system.

The film is our window to his world and to many like him. And we watch him closely from a distance as the camera lingers on the children at their most candid behaviour. Never has innocence between captured like this before and Amole Gupte hits the bull’s eye in getting a pitch-perfect natural and realistic performance from his entire ensemble cast that is filled with fresh young faces, led by Partho (Gupte’s son who plays the titular Stanley).

It’s refreshing to see a film that employs love or food as the currency for every day life. Kids are sent to school with food, rewarded with chocolates and even taxed by a teacher in denominations of food. Because, that’s how it used to be. No money? No problem. Your friend would have it. No lunch? No problem. Eat from your friend’s dabba. But guess who wants a share of that love? The Despicable Me-Hindi teacher, nicknamed Khadoos by the kids, wants to eat their lunch. Devoid of love in his life, hated by all, the miserly and greedy teacher (played by Gupte himself) makes life difficult for Stanley because the boy does not bring his own lunch. His parents are away.

The English teacher, Rosy Miss, on the other hand, rewards the kids with chocolates every time she’s impressed with their home-work.  Stanley always manages to impress her. The Science teacher, Ms. Iyer, likes her students to conform to the syllabus while the Math teacher approaches arithmetic with anecdotes to make the learning more fun for children.

The school is the world the film inhabits, so we don’t get a glimpse of their homes. A clever conceit. And Gupte captures the routine of school without ever letting the monotony get repetitive for the audience.

Stanley Ka Dabba is about the role of the teacher-as-parent. It’s about how every action of theirs shapes young minds. It could encourage them or make them withdraw into a shell. It chokes you in small doses all through (easily moved Mommies will shed buckets of tears), and the drama is done so subtly and elegantly and never for manipulation… until the very end when a slap jolts you out of the rhythm of understatement.

While the dramatic revelation is crucial to the film and makes us revisit everything we’ve seen in fresh light, it seems slapped on us as afterthought.

Yet, this is a great companion piece to Taare Zameen Par, even outdoing the former in sensitivity and freshness. If you are not put off by message movies (I am), you would, like Rosy Miss, give the director a pat on the back and a Five Star chocolate.

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