• SUDA MING’S CHANNEL
  • TALKING FILMS
  • Good Night | Good Morning
  • My Talk Show
  • PROFILE

MADRAS INK.

Menu

  • Archives
  • Columns
  • Diary
  • Interviews
  • My Films
  • Reviews
  • Good Night | Good Morning

  • Word thru the bird

    Tweets by SudhishKamath
  • Connect with GNGM

    Connect with GNGM
  • About GNGM

    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

  • Browse: Categories

  • May 2011
    M T W T F S S
     1
    2345678
    9101112131415
    16171819202122
    23242526272829
    3031  
    « Apr   Jun »
  • Recent Posts

    • Simmba: A departure from the formula
    • Zero: The hero who wasn’t
    • Protected: AndhaDhun: What did that end mean?
    • Love and other cliches
    • October: Where is Dan?

Archive For May 21st, 2011

Pyaar Ka Punchnama: Punch Drunk Love

May 21, 2011 · by sudhishkamath

Genre: Drama

Director: Luv Ranjan

Cast: Kartikeya Tiwari, Raayo Bhakirta, Divyendu Sharma, Nushrat, Sonalli, Ishita

Storyline: Three guys deal with the bittersweet pangs of love

Bottomline: No matter how cool, strong or smart, every man is fool in love 

When she says she’s leaving him, our hero falls in her lap and cries helplessly, like a child that does not want his mother to leave on the first day of school. He has no words, just helpless resignation and shameless tears. She’s broken him down good. She knows exactly what buttons to hit to reduce the most self-respecting man to a submissive child stripped of all ego.

It’s very rare to see an Indian film show this side of the modern woman and more importantly, this aspect of the modern man. The image of the macho hero is broken and shattered to bits, thanks to Luv Ranjan’s heartwarming bittersweet tale of buddies, bonding and girl trouble.

Be warned, this is not a date movie. Far from it. In fact, taking your girlfriend to this film guarantees a fight unless she can deal with what goes on in a guy’s mind. Pyaar Ka Punchnama is a film that’s straight from a heart that you never knew existed in men and it’s likely to be celebrated as a cult film for its depiction of man as the weaker sex, struggling to understand the complex creatures that women are and failing to cope with the pangs of living with them.

The Hollywood celebration of this vulnerability has resulted in some truly memorable films of all time. From Billy Wilder’s The Apartment in the sixties to Woody Allen’s Annie Hall in the seventies to Cameron Crowe’s Say Anything of the eighties or Nick Hornby’s High Fidelity in the nineties, all the way to the recent 500 Days of Summer, the hopeless romantic is a timeless type.

What’s refreshing in Pyaar Ka Punchnama is that director Luv Ranjan decides to tell us the story of not just one but three seemingly different men in three different kinds of relationships with a purposeful sense of capturing the larger truth about women and relationships. Rajat (Kartik), Choudhary (Raayo) and Liquid (Divyendu) are best buddies who fall in love with three girls with varying attitudes towards commitment. Rajat’s girlfriend is committed, Choudhary’s fling does not understand commitment while Liquid’s “just-friend” does not even acknowledge let alone accept their bond.

Never has so much relationship gyaan been pumped into one film and this is clearly the When Harry met Sally of our modern cinema. Sample the six minute long single shot monologue where Rajat lets out all the pent up angst after a fight with his girlfriend. Understandably, the audience in the hall was in splits for the entire duration of that rant because someone there on screen said out loud what not many men wouldn’t find words to articulate. A fantastic thesis on the behavioural patterns of the woman during an argument.

It’s interesting that the girls go beyond stereotype. They aren’t just evil, plain cunning or opportunists as films in this genre often turn out to be. They are real people who want love too and know to get it from exactly who they want and when they want. They can bring you extreme happiness, joy and shower you with love but are totally capable of hitting the demolish button at their will and fancy.

If the highly selfish, larger than life, rich kids from Dil Chahta Hai set the mood and tone for the youth over the last decade, the more relatable guys next door from Pyaar Ka Punchnama manage to do the same for this generation without commanding any of the star appeal and hype that the Khans brought to the Farhan Akhtar film. And that is testimony to the quality of writing and acting of this ensemble.

It would be unfair to call this a coming of age comedy. It’s an utterly romantic bromance that takes a candid look at relationships and that wretched thing called love. Luv Ranjan, clearly the debut filmmaker of the year, has an uncompromising vision and confidence to switch from laugh out loud comedy to indulgent drama to angst-ridden rock and even paces it as unevenly as life itself, something that may not go down well with those looking for just laughs.

But, Guys, if you will watch only one movie this year, this is it. Girls, if you have ever wondered what goes on in the mind of every guy, this is it.

Sometimes, the baby. Sometimes, the substitute and sometimes, the dog. Such is the life of man.

This review originally appeared here.
  • Blog at WordPress.com.
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Subscribe Subscribed
    • MADRAS INK.
    • Join 483 other subscribers
    • Already have a WordPress.com account? Log in now.
    • MADRAS INK.
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...