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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For July 20th, 2011

Gossip in a wired world

July 20, 2011 · by sudhishkamath

“I love rumours! Facts can be so misleading, where rumours, true or false, are often revealing,” Colonel Hans Landa (Christoph Waltz) gleefully said in Inglourious Basterds, written and directed by Quentin Tarantino.

Quentin himself was the subject of a rumour that spread all around the world after a fan Beejoli Shah, emailed pictures of them together and gave a detailed account of their one night stand, taking the liberty to comment on the lesser known parts of his physicality and widely speculated sexual preferences. Beejoli sent it only to 15 of her friends over email but the next thing she knew, she lost her job. Beejoli may have sent it only to a select few, but the viral nature of social media did the rest.

Closer home in India, starlet Bhairavi Goswami put up a post on her Facebook page ranting about the hypocrisy of a superstar and his family’s pretensions of wanting a boy-child. She accused the family of going to an IVF clinic in Thailand to ensure it was a boy. The starlet did not name the actor, but the viral nature of social media did the rest.

The most popular recent case, however, was when the Court asked Caravan magazine to remove an article that was considered defamatory by a B-school entrepreneur, who decided not only sued the magazine but also Google for making that content available.

Viewing the court’s order as stifling of freedom of expression, activists on the internet forwarded the article that was removed from the cache of Google. And the profile went on to get more hits than it would have ever got. Caravan didn’t have to spread it but the viral nature of social media did the rest.

A recent study by AC Neilsen estimates that India has over 9 million users on Twitter, with 25,000 people joining everyday and 25 million users on Facebook. With Google looking to bring all its Gmail users on to its own social network G+, news and unsubstantiated gossip will go viral faster than ever before with over 240 million mobile-phone users having access to internet.

As BBC presenter Nik Gowing observed during his talk on the viral nature of social media in the city, “No one can control the internet.”

Information – true, half-true or untrue – spreads like wildfire across social media networks and once out there, is beyond anyone’s control, including governments let alone individuals. The gap between public and private space has blurred as the two have merged on social networks that celebrities, institutions and governments are still coping to deal with mob-endorsed potentially defamatory content that’s sometimes even unattributed.

So can you get into trouble for spreading information that is deemed defamatory once it goes beyond control and turns viral? Obviously, it all depends if the affected party wants to sue.

“In theory, any person who spreads false information hurting the reputation of a person could be guilty of defamation. But over and above that, the Information Technology Act, Section 66A, for instance, makes it an offence to send offensive messages through communication services,” PVS Giridhar, an advocate specialising in Information Technology methods, tells us.

However, there is a limitation to this liability specified under the Section 79 of the Information Technology Act that comes to the rescue of the intermediary of such defamatory communication. “A search engine like Google can be an intermediary. Facebook or Twitter can be an intermediary.”

But being an intermediary is not always a get out of jail card, he adds, citing the case of Bazee.com, a portal that got into trouble when one of its users used the marketplace to sell an MMS clip with pornographic content.

“Section 79 lays down the limitation of liability in such cases which are comparable to the owner of the vehicle that’s been caught with a consignment of drugs. If the owner can prove that he had no knowledge of his vehicle used for illegal purposes, his liability is limited,” explains Giridhar.

But to be spared of legal action, the intermediary should prove that it had not initiated transmission of the defamatory subject matter, nor had not selected the receiver of the transmission, or had not modified the information contained in the transmission and that the intermediary’s role was limited to providing access to the communication system, while observing due diligence in discharging its duties.

So Twitter or Facebook or Google may not get into trouble for providing the platform, but Beejoli, Bhairavi or anyone initiating scandalous transmission may be still be treading on thin ice if the rumour/information spread is perceived as a conscious attempt to defame. And the fact that you cannot control what goes viral only makes it worse. Watch what you post. The internet has a million ears.

(This story originally appeared here.)

Protected: Review: Vikramin Deivathirumagal

July 20, 2011 · by sudhishkamath

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