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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For August 20th, 2011

Chatur Singh Two Star: The Murder of Inspector Clouseau

August 20, 2011 · by sudhishkamath

Genre: Torture

Director: Ajay Chandhok

Cast: Sanjay Dutt, Ameesha Patel, Gulshan Grover, Anupam Kher

Storyline: A bumbling Inspector must solve a crime and find lost diamonds despite his epic stupidity

Bottomline: The film is a lot stupider than its hero and unfunny to the point of torture

Peter Sellers would regret he ever played something that inspired this. Steve Martin may just shoot himself. Sanjay Dutt, for the good of his own health, should never watch this when he’s sober. And Anupam Kher, we hope made a lot of money to sell his soul like this.

This insanely asinine adaptation of The Pink Panther is an insult to the franchise, one best avoided in loving memory of Inspector Clouseau. Sanjay Dutt is like a fish out of water, served roasted on a plate with chips on the side, completely exposed and burnt. His limited range never quite picks up the right vibe for the role, the hideous wig and the pencil-thin moustache making his face look worse than he’s ever looked all his life.

And there’s poor Ameesha Patel, ambitiously entrusted with comedy, not quite finding her feet, looking lost like a mermaid in the woods. Even her plunging neckline fails to distract your attention from her complete lack of comic flair while Gulshan Grover should consider himself lucky to be killed off halfway into this disaster.

Chatur Singh Two Star has absolutely no redeeming quality, not a single gag good enough to make you smile (unless you will settle for Sanjay Dutt trying on baby clothes in the trial room). It takes phenomenal talent to pull off half jokes and poor jokes.  Given the absence of talent or half-decent jokes, the laboured attempts at humour result in a film that even Ed Wood would call dead wood.

The travesty of such bad writing is to be seen to be believed but please, trust the survivor who made it out alive. Take his word and skip this ticket to trauma. If you ever catch a glimpse on TV, make sure you have a remote to change channels or the reflexes to pull the plug, especially if you are a Clouseau fan.

P.S: This review has a lot more jokes than the film. Should you feel the need to still buy a ticket to the film, please also consider sending this writer a cheque as well, dear Chatur Singh. Two stars? Hello! They both can’t act.

This review originally appeared here.

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