• SUDA MING’S CHANNEL
  • TALKING FILMS
  • Good Night | Good Morning
  • My Talk Show
  • PROFILE

MADRAS INK.

Menu

  • Archives
  • Columns
  • Diary
  • Interviews
  • My Films
  • Reviews
  • Good Night | Good Morning

  • Word thru the bird

    Tweets by SudhishKamath
  • Connect with GNGM

    Connect with GNGM
  • About GNGM

    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

  • Browse: Categories

  • August 2011
    M T W T F S S
    1234567
    891011121314
    15161718192021
    22232425262728
    293031  
    « Jul   Sep »
  • Recent Posts

    • Simmba: A departure from the formula
    • Zero: The hero who wasn’t
    • Protected: AndhaDhun: What did that end mean?
    • Love and other cliches
    • October: Where is Dan?

Archive For August 27th, 2011

Chitkabrey: Secrets Seven

August 27, 2011 · by sudhishkamath

Genre: Drama

Director: Suneet Arora

Cast: Ravi Kissen, Rahul Singh, Rajesh Shringapure, Svetlana Manolyo, Akshara Gowda, Pitobash

Storyline: Seven friends, each representing one of the cardinal sins, plus one more, meet at a reunion to find themselves trapped by an avenging junior from college

Bottomline: If you watch only one film a year, this is it. It will convince you why you were right staying away from films.

Promoted as the boldest Indian film made, Suneet Arora’s Chitkabrey – Shades of Grey, is indeed the most brave film to have hit the screens in recent times if it really thought that people will queue up to see a mostly naked Ravi Kissen.

There’s plenty of assorted nudity and love-making scenes thrown to spice up the amateur staging of what seems like a play with its Big Boss-like set-up. Like Big Boss, instructions are given by a mysterious stranger whose voice booms through the speakers to the occupants of the house.

So if you watch Big Boss as a guilty pleasure, you might just dig this. You will enjoy it for the same reasons as you watch the reality show. Laughing at it than with it most of the time. How can you keep a straight face and not laugh when a bad actor sobs to his wife that: “I let my boss enjoy with me” soon after a shot of two men sharing a shower.

A victim of ragging Rakesh Chaubey (Ravi Kissen) keeps the group captive at gunpoint and asks them to spill the beans on their dirty past.

Now, though Ravi Kissen’s character speaks chaste Hindi and quotes from his Hindu upbringing, he reproduces seven Biblical cardinal sins (and not the six arishadvargas from the Indian ethos) which is our first hint that the film has probably borrowed its core from another source and was desperately trying to find its footing in the Indian milieu.

A quick search online suggests a similar play by award-winning American playwright Kash Goins who wrote ‘VII Deadly Sins’ also about a reunion of eight classmates after a decade (changed to 15 years in this film though).

The caricatures that the makers of Chitkabrey give us:

Lust: Jaggi, the Sikh businessman with a big heart, is guilty of doing the naughty with a hottie and cheating on his wife. He was also the mastermind behind ripping off Ravi Kissen’s underpants during the ragging sequence.

Envy: The still-single Shankar betrays his successful rich friend Jaggi and also does the naughty with Jaggi’s wife on the sly.

Wrath: Angry young Deepak beat his 11-year-old because the kid got only 92 on 100 and also used to hit his wife because the salt in the daal wasn’t right.

Greed: Gujarati Jayan married for dowry and then ran off to Canada to start a fresh life with a brand new wife.

Pride: Rekha, the only girl in the gang, is so vain that she “prefers rape to a favour”. She “sells girls” for a living, while her husband is away picking up the soap for his boss. She used to be so vain that she once asked Ravi Kissen in college what he thought of her balls! Eyeballs, she clarifies after he uncomfortably says: Nice.

Gluttony: Aman Ali Siddiqui made a girl suck his pen in public back in college and is punished when his wife Fauzia Javed Khan has to eat kulfi in front of all his friends.

Sloth: Bengali babu Buddhadeb had taken to the bong (Yes, drugs in college!) and now dreams of being a bum in Bahamas because after ten years of marriage, he only thinks of his Biwi as his Behen!

Manipulation: New sin invented because the makers realised that they have eight characters but only seven sins, like in the American play. So smart South Indian Balaji who used to sell drugs in college goes chasing the Great American Dream and scores a Russian girl for a wife! Immoral foreign girl who likes to lure unsuspecting masseurs into a three-way with her husband in the middle of a massage.

Smell stereotypes? Just one of those things that makes this film so bad that it’s good. Enjoy with your friends. Not the way the word is used in this movie though.

(A censored version of this review originally appeared here.)

  • Blog at WordPress.com.
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Subscribe Subscribed
    • MADRAS INK.
    • Join 483 other subscribers
    • Already have a WordPress.com account? Log in now.
    • MADRAS INK.
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar