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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For March 19th, 2012

“If Facebook were to have its say, Anna Hazare would be President”: Siddharth Basu responds to criticism on NVOK/KBC

March 19, 2012 · by sudhishkamath

After the first 12 out of 80 episodes rolled out in its first season, the makers of the Tamil KBC, Neengalum Vellalaam Oru Kodi, have gone in for a life-line. Audience Poll. Just to be sure if the show’s working after initial buzz that the questions were just too silly.

“The ratings haven’t fallen. In fact, we have grown in the third week even with these questions. And the questions were not silly, the options were mocking. The feedback we got was: Don’t mock your own questions. We’ve taken it as constructive feedback and put it to the Big Synergy team,” says K. Sriram, Channel Head, Vijay TV.

“The characteristic of the show is that you play at the level of the contestant. If it’s a chaiwala like in Slumdog Millionaire, the questions are made at his level. It’s partly science, partly art and it involves a little judgement and experience. The first few questions are meant to be icebreakers and people can slip even in the simplest of questions. Out of 19 people who have been on the show in the first 12 episodes, five have taken lifelines within the first five deceptively simple questions. The reason we employ simple or easy questions is also because it increases the ‘Shoutability’ factor. People sitting and watching the show shout out at the answer. The idea is not to put an organic chemistry formula question to trip everybody right at the start,” explains Siddharth Basu, one of the masterminds behind the Indian variants of the show.

Siddharth Basu, who runs Big Synergy, was in town to supervise the new schedule – Episodes 13 & 14 – shot on Friday, for Monday and Tuesday evenings.

“You can look up this video on Youtube when a contestant on Who Wants to be a Millionaire was asked Which of the following is the largest: A. A Peanut B. An Elephant C. The Moon D. A Kettle… and still got it wrong after using a lifeline. That’s part of what the show is supposed to be at the first level. It is supposed to be funny, bizarre and eventually get serious. Sometimes, even stupid questions get wrong answers.”

There has been no dumbing down for the South whatsoever, Basu swears.

“It has never entered our mind. Part of the format is to play at the level of the contestant. To give you an analogy, a show like Mastermind is like watching Sachin bat in full form. You admire a virtuoso. On KBC, anybody can put bat and ball. It could be your grandmother. Or to give you another analogy of high jump, let’s say you can jump 3 feet. Since the show is designed as a ladder, we would start easy to make you clear your level before pushing you to jump higher.”

“You will see more and more facets of Suriya during the season. He’s making quite an effort, really reaching out to connect to the audience,” adds Siddharth Basu.  “He approached it very conscientiously and sincerity that comes off on screen. We did mock sessions for gameplay, techniques with him and different kinds of people. He hadn’t done much real time interaction like theatre before and yet, he’s managed that graph in quick time. The idea is to play to the strengths of the star. The idea is not to make him become Amitabh Bachchan or SRK, it has to be Suriya or Suriya plus.”

Last week, viewers got to see a very new side of the star when we went down and danced with a contestant and he went down on his knee to propose to her. “When he goes on to the floor, he surprises us,” says Sriram.

Most criticism of the show has come from Twitter and Facebook with people putting up screen grabs of questions and comments under it.

“The blogosphere, or social network-sphere, you can take seriously only up to a point. If Facebook were to have it’s say, Anna Hazare would be President and Prime Minister rolled to one, we could have Lokpal that would be housed on the moon… How seriously can you take this? Of course you listen to it. And if it’s sensible it is but if it’s off the point, if it’s just whole lot of venting and opinions, then it’s people’s right to do it… It’s wonderful but you keep your judgement and keep going. Here’s a format that has been hugely successful in 120 territories worldwide. You do what you think is right when it is time-tested,” says Siddharth Basu.

“It’s about the ratings. Otherwise, we would run the show on Facebook. It’s not. It’s on Vijay TV. We want to go to Madurai and beyond. We have our priority. It’s not for the Facebook crowd. In fact, I can challenge them to take the test and after a point it wouldn’t be simple for them. ‘Millionaire’ world wide, particularly in India, has become the human story as much as it’s knowledge game. It’s a knowledge game that’s life changing and gives you a sense of the people that are there in small towns… A sense of India beyond what’s on Facebook, what you read in newspapers or what’s on TV generally. The contestants are the stars of the show. This is about their stories and their lives.”

“When people say I can’t, I want to do that: Suriya”

When I was first approached, I went and saw this show in Mumbai and met Mr. Bachchan. I was thrilled, excited, very scared at the idea, I even thought I cannot do it. But when people say I can’t, I want to do just that. So I just thought I should jump into it since it would be a good exercise to learn something new. When I went to Mumbai and saw what the show was doing, I knew I couldn’t have missed this opportunity. Because this is not a game show or a quiz show. It’s about people. You see the whole of Tamilnadu on the set and I had a role to play, I had to be instrumental in helping them get the prize money. There’s been a lot of positive feedback. I have been able to reach out to people who have never seen me in theatres because TV has a much wider reach.

The first person who was shocked was Jo (Jyotika, his wife). ‘Dhoni was my hero and he’s gone to No. 2 and you are now No.1, she said after watching the first episode. It wouldn’t have been surprised for any of us if Karthi had done this because he’s naturally talkative. We actors are always restricted to a small circle of people. We meet some at the airport, we have people watching shooting but we don’t connect or talk to them but this show brings me closer to people. I see them share their life experiences and open up. I want to make them feel comfortable.

I don’t have any plans of what all I want to do in the show. I just go with the flow. I jumped into it because it would help me grow. Even while playing the game, I only know the answers after the computer tells me once they have told me their answer. So I am as excited as the audience for them during the gameplay.  I want to be more spontaneous on the show and make them open up. Everything happens in real time. So nothing is planned.

I can’t be another person (on comparisons with Mr. Bachchan). Initially, I thought I had to play all the questions seriously but I realised, there were some fun questions which I shouldn’t have taken seriously. So from now, I would handle them differently. This show has been a learning for me.

An edited version of this story originally appeared here.

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