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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For July, 2012

Bol Bachchan: Bad stunt

July 8, 2012 · by sudhishkamath

Genre: Comedy

Director: Rohit Shetty

Cast: Abhishek Bachchan, Ajay Devgn, Asin, Prachi Desai

Storyline: A man lies through his teeth to save his job

Bottomline: The worst remake of a film since Ram Gopal Varma Ki Aag

Sitting through Bol Bachchan is like sitting through multiple car wrecks. No, seriously. There is enough car on car action all through this unwarranted Rohit Shetty remake of Golmaal.

Well, it’s made by stuntmen, you see. Something they don’t want you to miss.

Think 12 Angry Men performed entirely by blondes WHILE they are watching the Sidney Lumet classic on stage BECAUSE they keep forgetting their lines. Or Star Wars staged by the cast of World Wrestling Federation just because they speak English like Yoda. “Talk like him, we can. So fight with tubelights, let us.”

There’s enough bad English in this film under the pretext of humour to make even Rowdy Rathore go: Don’t Angry Me.

If you liked Hrishikesh Mukherjee’s Golmaal, which you sure did, you would want to protest this assault on one of the effortlessly funny films of all time.

Here, the effort shows in every scene.

Every actor opens his mouth knowing well that he has to deliver a funny line that’s mostly dead on arrival. While the iconic Ramprasad Dashrathprasad Sharma (Amol Palekar) was a natural born scum who premeditated his lies and Bhavani Shankar (Utpal Dutt) was a hypocritical culture Nazi, Rohit Shetty and his writers paint their characters in monochrome.

Here the hero lies because he is noble and his nemesis buys it because he’s kind at heart. Abbas (Abhishek Bachchan) wants to save a child from drowning in the temple. So to prevent bloodshed, he lies that he’s Abhishek Bachchan.

Whoa! So that’s how communal India of today has become.

What’s worse is the fact that the makers resort to gay jokes by making Abbas play an effeminate dance teacher who turns on an army of wrestlers. Stay classy, guys.

We can’t really fault the actors here when the lines were cursed from the start. Abhishek Bachchan gives it all and the effort shows sometimes while Ajay Devgn walks around hamming it like he’s in on the joke.

And thus, the classic comedy about generation gap becomes approximated to… well, people blowing up cars while making off-colour jokes about race and homosexuality because there are puns waiting to be milked.

Yes, you will laugh a couple of times mostly because the actors manage to salvage a bad joke here and there.

But most of it does not even make sense. Sample Ajay Devgn translating “You make my heart swell in pride to” to “My chest has become blouse.”

That’s pretty much how funny Rohit Shetty’s translation of Golmaal is.

(This review originally appeared here)

Proust Questionnaire: Nagesh Kukunoor

July 8, 2012 · by sudhishkamath

What is your idea of happiness?
To feel the rush that could come from driving down a gorgeous stretch of road with the sun beating down on your face, or a rock concert you  are at or a perfect take on the sets… Happiness comes naturally in the true, intense, unexpected sense of the word.

What is your greatest fear?
That I would lose the passion. I’ve always felt that we are wired to have a mad, maniacal passion for that one special thing. For me, it’s filmmaking.
The greatest fear is that you might just lose it and then what’s your purpose in life? What’s the point of waking up in the morning?

If you could change one thing about yourself, what would it be?
Honestly, if I could just remember to wake up and smell the roses or the coffee. Basically, to just enjoy the moment instead of glossing over it and enjoying it at hindsight.
If you could change one thing about your family, what would it be? I wish we met more often. I meet them once a year and it’s too less that I don’t get to enjoy that.

What do you consider your greatest achievement?
Without a doubt, making Hyderabad Blues. It was very simple. There’s a lot of things that one actually feels about one self. That you are meant for a lot more, that you are capable of a lot more. And it wasn’t until I made Hyderabad Blues that I gave myself any sense of
validity. It was not the success, just the making of the film. All your life you are like, give me a chance I could do this and that but after Hyderabad Blues, I felt I had nothing more to prove to anyone or myself.

If you were to die and come back as a person or thing, what do you think it would be?
Maybe as a rock. You would eliminate a lot of unnecessary thinking because of the tendency to do what you think is fit or fair or to analyze and over analyze everything. l think it is so much nicer to just stop thinking…

If you could choose what to come back as, what would it be?
Hugh Hefner would not be a bad idea.

What is your idea of misery?
To be physically incapacitated. I am a fairly active person and it’s the physical things that I do that give me my equilibrium and sanity.

Where would you like to live?
On a ranch in the US outside a big city with my own vegetable and fruit garden. Not way out in the boondocks but with access to the big city so that you have it when you need it.

What is your favourite occupation?
Filmmaking is the central most occupation that truly completes me…  Two professions actually –  One, doctors. It’s a profession I’m most fascinated by. Two, chef. If I were not a filmmaker, I think I could be a chef. I truly enjoy cooking. I think being a chef and being a doctor are at some level about the propagation of life…

What is your most marked characteristic?
That’s an easy one. It’s single-mindedness to the point of ridiculousness. I can have such tunnel vision that I can block out stuff, actually block out living for years, while I just focus on the task. That kind of single mindedness is stupid at times and that’s why I said I wish I could just remember to stop and smell the roses.

What is the quality you most like in the opposite sex?
Oh brother! I would like to go for sensuality. I know it seems superficial but sensuality can come in many ways. I know I could have said companionship, intelligence or honesty but I would rather pick this because women have the ability to be sensual in a million
different ways, doing the most mundane of things – whether it is reading a book, dicing vegetables, yawning, you name it…

What do you most appreciate in your friends?
Loyalty. Just knowing that you can count on them, no matter what the crap is.

Who are your favourite authors?
First, I would pick Stephen King and then George Orwell and JD Salinger

Who is your favourite hero of fiction?
Indiana Jones. Well, like I used his character in Aashayein, Indiana Jones represents adventure, the ability to take life to that next level.
Raiders of the Lost Ark (which introduced Indiana Jones) is the film that changed my life. It was that epiphanic moment that I decided to become a filmmaker. I am drawn to the rush and sense of adventure (don’t always have the guts to follow through) and therefore Indiana is a constant reminder… To take that step, physically and metaphorically, and embark on another adventure! If I could do it periodically it would be so amazing.

Who are your heroes in real life?
I would pick some contemporary ones. Richard Branson, George Clooney and Steve Soderberg. Branson is a true maverick that every step he takes is outside the box. He’s brash and has the guts to stick to his intuition. Clooney –  because it’s interesting that after becoming one of  the biggest movie star, he turned his attention to humanitarian efforts.
Only one in a billion can become a Gandhi. I could never reach that level but I can aspire to do what Clooney does. Make money, enjoy life and help the world. And Steve Soderberg because he’s a direct connect to my field. He has the guts to do everything…Successful, bizarre, off the wall, Oscar stuff and still he could shoot something on a Canon 5D
in half a day and make something out of it. I am in awe of someone like that.

What are your favourite names?
I think girls names evoke beautiful images… Salma Hayek, Madhubala… Wow. They bring a smile to your face when you just think of these names but there are too many to mention.

What is your present state of mind?
Reinvention. Way before, during my chemical engineering days, I read about a CEO… Every five years, he kind of almost restarts, he starts to do something radical and different and keeps his interests fresh… I take a lot of risks through my films… so there is some degree of reinvention but I’m trying to make it more than just films, in my personal life as well.

How would you like to die?
Without knowing. An accident or in your sleep. The knowledge of death is the worst thing. I don’t care when I go. But I just hope it’s Boom!
And Adios! And it’s done. Finished and over. It’s like seeing a 100 foot wave coming towards… One intense moment of awe and it’s over.

What is your favourite motto?
It’s something I’ve done for many years. “Either you do or you don’t.” The rest are just excuses and in betweens. It’s a saying that I put up at the start of every project. I genuinely believe in this.

(Nagesh Kukunoor is a fiercely independent filmmaker who continues to make films that defy convention and genre. His filmography includes the critically acclaimed Hyderabad Blues, Rockford, Bollywood Calling, Teen Deewarein, Iqbal, Dor, Aashayein and Mod)

This interview originally appeared here.

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