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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For August 29th, 2012

Interview: Adhi – Namma Ooru Hip Hopper

August 29, 2012 · by sudhishkamath

For a 9 a.m. audio launch at Sathyam Cinemas, Hip Hop Tamizhan draws an almost full house.

The crowd sings along, the girls too… never mind that the song contains lyrics that some may find sexist (See Box below)

After the concert, he gets endless requests to pose with fans for pictures. He entertains some, tells the rest he’ll be back soon and sits down for an interview.

Adhi is all of 23 years old.

“I’ve been rapping for the last thirteen years,” he says. “Ever since I heard Michael Jackson’s Jam. That’s how I came to know about rap and I have been rapping gibberish since. I came across hip-hop artistes like KRS One and Jay Z who changed my views on hip hop and I realised that hip hop is not about guns, drugs and violence.”

He made it a point to himself updated through the internet. In 2006, he met Yogi B, Tamil hip hop artiste from Malaysia. “That was when we decided to start our band, Hip Hop Tamizha. Yogi B became our advisor. I had been doing Tamil hip hop since 2002.”

The band stayed underground, happy with their small, niche, cult following.

“Until we were called by the Election Commission to come up with an election anthem… I don’t know how they found us. That song worked magic because we were asked to perform that song for Anna Hazare when he came to the Pachaiyappa’s College grounds. And within 2-3 months, Club Le Mubbule went viral.”

ClubLe MubbuLe Official Music Video

The song has got over four and a half lakh views on Youtube since. “The song was video was put up a day before Kolaveri. It was just a radio performance, an amateur video but it trended for nearly two weeks on Youtube.”

Remy Martin Hip Hop that signs up with hip hop artistes around the world tied up with the band for Hip Hop Tamizhan, launched by Purplenote. And band is all set to launch its own clothing line. Adhi attributes the band’s growth to ‘Club Le Mubbule’.

Adhi just did his first song with Vijay Antony for Naan. “But I am not keen on films. I want to create a parallel space for non-film music.”

That might sound ambitious but not if you consider how far he’s come at such a young age without compromising on his education.

“This is 2012. You have to do everything. My Dad’s a professor. So I know education is very important. If I have my education, if I don’t make it as a rapper, I can always go get a job and come back to rapping later,” says Adhi.

He’s even found a way to make money from his career.

“Yes, I am making money and putting it back into my music. I don’t get money from my Dad. I was born with a silver spoon but I spit it out,” says the boy from Coimbatore, who used to come to Chennai every weekend when he was studying engineering in the Bannari Amman Institute of Technology.

“But after I moved to Chennai to live on my own, I didn’t even have money to go back and visit them. Because I was taking a one-year break from college (between his engineering and MBA), I told my Dad I would do it myself. The first year was difficult,” he admits.

But he kept himself busy building the band.

“My band is always my family. It’s always been the five of us: Me, Triple B, Jeeva, Neal, Siraj. We have been together from the start. And we collaborate with many artistes from around the world. Adhi is just part of Hip Hop Tamizha. The band is bigger than just me.”

The response at concerts was encouraging. Despite the morning launch, students had bunked college to cheer the band. “We did a concert in Coimbatore months ago. Some 3000 people turned up. We did a concert at MIT, 1200 tickets were sold. That’s when we realised we were becoming big and no longer underground.”

Today, as his first album Hip Hop Tamizhan hits the stands, he’s standing tall. On his own feet.

High on a song

“Clubbula Mabbula thiriyara pombala enna di nadakudhu senthamizh naatula? / ladies elaarukum vanakamunga!! Ladies maanam parakudhungA!”

(“Drunk women in nightclubs, what is going on in the land of Senthamizh? / Hello, all you ladies… Ladies, your reputation’s gone”)

“It was first done six years ago when I was 17 or 18, I was in the first year of college. Nobody knew me then. But when we started taking it seriously and doing this as a project about a year ago, we approached radio stations, they helped us and the song went viral.

Today, I realise that I am nobody to tell you can’t drink or you can’t do that. But when I wrote it, I was a kid. I had a different mindset.

 It was just a fun pop song. Yes, there’s a bit of my personal ideology there but it’s limited to: Don’t be wannabe. Be proud of who you are. Who cares about the boys. Save the girls. At 17, what do you expect? I am not a bad guy. I love girls. Who does not love girls? But I am not only about that song. I have done songs about alcoholism, education, elections, etc.

There are some girls who have told me they like the song and there are some guys who have told me they don’t agree with the song. To those who like it, Thank you and to those who didn’t, I am sorry if I hurt your feelings.”

P.S: Here’s the reply song to ClubLe Mubbule: The Reply Song

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