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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For November 20th, 2015

There’s a monster in the halls

November 20, 2015 · by sudhishkamath

 

Dear world,

Just to let you know we have unleashed a monster in over a hundred screens around the country today. We are calling it X: Past is Present.

It’s a monster that has taken us two and a half years to tame.

And now, it’s out in the theatres.

The truth is we never thought it would be this big a release.

When we all got together, we just decided to go out and have some fun doing our own thing and in whatever language we were comfortable in, without any regard for the market and see if we could build a larger film out of it as one story.

Art has been around since the first man scratched the wall of his cave with a stone to express something. For 2.8 million years now.

Myths have existed for at least 5000 years. Films for a little over 100 years. Film studies for half that time. Professional film criticism as we know it today for maybe half of that.

The only thing we can be sure of is this. What we know is just a speck of dust on a canvas that’s been lying around for 2.8 million years old.

Yet, we believe that our observations of the popular story telling format of cinema over the last few decades can be used as some measure of evaluation.

As a film critic and someone obsessed with stories, I have always wondered about the vast unknown. I have had an issue with this very idea of judgment or the unwritten rules deeply entrenched in our minds that one kind of cinema is better than the other though it’s purely a matter of personal taste and preference.

X: Past is Present was started an idea to build a bridge between the different cinemas of India. The idea was to embrace each form of expression, every sensibility and style we find in the mainstream, the regional, the arthouse and the underground – without judgment.

A massively curious experiment of creating a monster with genes of different kinds of cinema and see if we could tame it.

We don’t know we have. And that’s the whole truth of it.

Once we finished making the film, we had to figure out if the world was ready for it. We have to thank Drishyam Films to be brave (or foolish) enough to spend three times the production cost in marketing the film, just to bring it to you in these star obsessed times.

It’s a ballsy experiment from not just us filmmakers, but producers Drishyam too.

But I believe that this experiment is far from over.

Because, you see, reaction is the most integral part of the experiment.

We want to know what you think. We want to know if you would buy a ticket when something like this hits the screen.

We want to know if it makes sense to spend our energies in trying to dive into the unknown ever again.

We want to know if this monster lives on.

It’s a monster we are closely studying. And learning from. Some day, we hope this experiment tells you what to do or not to do.

It taught us a few things. And continues to, with every reaction we get.

So bring it on. Be a part of it if you are as curious as we are.

Here’s the Trailer of X: Past is Present

And here’s where you can book tickets.

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