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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For October 6th, 2017

Blindness that made me see

October 6, 2017 · by sudhishkamath

The least original of epiphanies are also the truest.

After binging on a TV show for 65 hours on a phone over a week ago, I got transient smartphone blindness. I’m recovering slowly and able to see better every day.

Losing vision helped me see things with clarity. The blur made me focus on what’s important. Suddenly, the clutter began to disappear with the most obvious and the most cliched of modern epiphanies. 

Blindness has made me see.

The truth has always been right in front of our eyes as a boring cliche. 

That none of this is real. 

“It is the world that has been pulled over your eyes to blind you from the truth.” (The Matrix)

All those people on Facebook aren’t your friends. Your followers on Twitter don’t exactly follow you. And your Instagram… is not even you. It’s a version you want to project to the world with skin/colour altering flaw-reducing filters in larger than life costumes and locations eating overpriced great looking food that rarely matches the taste – it’s just great play of light.

Nothing we see through the windows of our phones or laptops has ever been real. They are quite accurately called screens because they are used for projecting an image, a story, a narrative – and we are just willing consumers. 

I’m typing this on that very screen because this has become the interface we have been communicating on. 

I want to give this interface a break and just communicate face to face. Maybe I’m just getting too old for toys. Or maybe this is just my severely distressed eyes asking me get the fuck away from screens. For a while, at least. 

The simplest joys in life are real. 

There’s not a camera made that can do justice to the feeling you get seeing the moon at night. There’s no text that can do possibly capture the high of the life’s best moments. 

A touch is real. Keeping in touch isn’t.

We shouldn’t have to strain our eyes so hard for anything. In fact, we shouldn’t have to strain ourselves for anyone. 

People who matter always stick around no matter what. Yes, I do have FOMO but it’s time to face my fear. 

Less than 24 hours ago, I woke up to go to the beach for mixed martial arts training. It was incredible. 

It was real. But I turned it into an Insta story. I want to snap out of stories.

I want to snap out of communicating through 0s & 1s. It’s time to log out and see how long I can survive without The Matrix. 

I realised I have so much more fun meeting people and talking in the real world and this doesn’t feel even come close.

You know where to find me. I’m a phone call/a doorbell away.

See you in the real world. 

Unplugged. 

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