• SUDA MING’S CHANNEL
  • TALKING FILMS
  • Good Night | Good Morning
  • My Talk Show
  • PROFILE

MADRAS INK.

Menu

  • Archives
  • Columns
  • Diary
  • Interviews
  • My Films
  • Reviews
  • Good Night | Good Morning

  • Word thru the bird

    Tweets by SudhishKamath
  • Connect with GNGM

    Connect with GNGM
  • About GNGM

    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

  • Browse: Categories

  • April 2018
    M T W T F S S
     1
    2345678
    9101112131415
    16171819202122
    23242526272829
    30  
    « Mar   Jul »
  • Recent Posts

    • Simmba: A departure from the formula
    • Zero: The hero who wasn’t
    • Protected: AndhaDhun: What did that end mean?
    • Love and other cliches
    • October: Where is Dan?

Archive For April, 2018

October: Where is Dan?

April 15, 2018 · by sudhishkamath

A boy doesn’t care for a job he’s training for.

The girl does. A lot. She just cares. About everything.

About stopping to smell the flowers. Covering up for him. Enquiring about him when he’s not around.

She IS named after/like jasmine herself (Shiuli) and he’s Dan. The only time they have a conversation is when he asks her why she’s collecting jasmine flowers that are dead.

No, they don’t fall in love. She falls… from the terrace by accident.

Her last words before going into a coma was a casual enquiry: Where is Dan?

 

The boy wonders what it means. And in trying to find out what it means, begins to care for her. Little by little. And soon we realise this has led him to care about more people around him.

That’s the nature of care. It’s infectious. When you care, someone else cares.

Every act of caring triggers another act of caring in writer Juhu Chaturvedi’s universe. (If she romanticised bodily functions we don’t like to talk about in our cinema – like semen in Vicky Donor or Stool in Piku, here it’s urine – that convinces him that there is life in her. And keeping track of her urine output, he knows she’s getting better.)

Every unaffected character slowly begins to care about the other.

Caring is so organic that it blooms and grows – it heals you and makes you someone who can take care of not just a flower but an entire Jasmine plant. (Fun fact: Jasmine has medicinal properties.)

She falls, like a flower, but leaves healing him. He comes of age. He understands that caring unconditionally is the purest form of love. It’s born out of empathy, gives us purpose and helps us find love we never knew we were capable of.

Maybe he finally knows why she used to collect dead jasmine flowers  or maybe not – but we know. She just cared.

And now he does too. He has become her.

October, hence, is a rare beautiful film about caring like we have never seen before in our movies.

Banitha Sandhu as Shiuli, Gitanjali Rao as her mother and Varun Dhawan (a career best) are terrific but it’s the writer Juhi Chaturvedi who wins ours hearts again. Thank you Shoojit Sircar for doing this brave and understated sublime poem justice.

Reminds me of a beautiful poem that I just managed to hunt down:

“One song can spark a moment 
One flower can wake a dream 
One tree can start a forest” 

This is the film our angry, hateful, practical world needs.

We need to stop and ask ourselves: Where is Dan?

Our inner Dan needs to start caring.

Because caring heals… the self.

 

 

  • Create a free website or blog at WordPress.com.
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Subscribe Subscribed
    • MADRAS INK.
    • Join 480 other subscribers
    • Already have a WordPress.com account? Log in now.
    • MADRAS INK.
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar