• SUDA MING’S CHANNEL
  • TALKING FILMS
  • Good Night | Good Morning
  • My Talk Show
  • PROFILE

MADRAS INK.

Menu

  • Archives
  • Columns
  • Diary
  • Interviews
  • My Films
  • Reviews
  • Good Night | Good Morning

  • Word thru the bird

    Tweets by SudhishKamath
  • Connect with GNGM

    Connect with GNGM
  • About GNGM

    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

  • Browse: Categories

  • December 2025
    M T W T F S S
    1234567
    891011121314
    15161718192021
    22232425262728
    293031  
    « Dec    
  • Recent Posts

    • Simmba: A departure from the formula
    • Zero: The hero who wasn’t
    • Protected: AndhaDhun: What did that end mean?
    • Love and other cliches
    • October: Where is Dan?

Posts By sudhishkamath

Update: Provoked on Sudermovies!

April 11, 2007 · by sudhishkamath

Read the review here.

Interview

April 10, 2007 · by sudhishkamath

A reader recently had mailed me a few questions on filmmaking for an article he wanted to do for his site.

Since I haven’t found time to post much, thought I’ll just link.

Have been watching a lot of films. So I guess it is time to update the reviews on Sudermovies. Do watch that space.

Chai@Tranquilitea

April 6, 2007 · by sudhishkamath

If you happen to be around Coonoor, do drop in at Tranquilitea, run by this enterprising 25-year-old called Sandeep Subramani. It’s a must-do for tea-lovers. I had the best chai in the Nilgiris out here. And it totally lives upto its name.

Wish I lived here!

April 6, 2007 · by sudhishkamath

The Red Hill Nature Resort on Emerald Valley, a little away from Ooty. It’s in the middle of nowhere. The place belongs to this very hospitable gentleman called Vijay Kumar. Thank you for the tea. I love your place.

The view from there!

April 6, 2007 · by sudhishkamath

This is the view from Red Hill Nature Resort. With food, home-stay and guest-house facilities, they charge Rs.3000 off-season and Rs.4000 during peak season.

For reservations, email Vijay Kumar at vijayredhill [at] yahoo [dot] co [dot] in

Vijay Kumar has spent all his life in this heritage bungalow.

How does he feel? He cannot imagine living anywhere else, he says. He travels 28 kilometres to Ooty to do grocery shopping.

Lost in the hills!

April 6, 2007 · by sudhishkamath

Just got back from a weeklong tour of the Nilgiris. Had absolutely no access to the internet or newspapers for five days. And most of the time the phone was out of range too.

I took this pic from a makeshift lookout point from the Korakundah forest. To the right is the Silent Valley in Kerala and what is left is Tamil Nadu.

I love these Road Less Travelled trips. I love my space.

That Four Letter Word: Theatrical Trailer

March 31, 2007 · by sudhishkamath

Following: No wonder he has one!

March 27, 2007 · by sudhishkamath

You wouldn’t believe this is a first film and a no-budget film at that. Shot with about $6000, Christopher Nolan foxes us with an intriguing Hitchcockian thriller. Following (1998) so well-written, intelligently structured and smartly directed.

I wish we played this film at the Roof Top Film Festival. It is a must watch for film students and indie filmmakers. I don’t want to give away anything, just get yourself a copy and watch this first.

http://sudermovies.blogspot.com

Roof Top Film Festival – First Edition

March 27, 2007 · by sudhishkamath

We had such an awesome time at the Roof Top Film Festival.

We watched four movies in all. And there were a few entertaining short films, including one called ‘Hi Dad’ made young local talent, Krishna and T.U.Dinesh. I hope the future editions of the festival features more short films by local filmmakers.

The choice of films for the first edition was made keeping in mind the nature of the audience and people who had registered. Most of them wanted to make films. So the focus was to screen films that were made by people with little or no experience, by people with little or no money.

Hard Candy (2005): I had recommended this film after having watched it, thanks my buddy Karthik who gave me the DVD. It’s such a brilliant independent film that manages to hold you by the balls with just two characters for about 100 minutes. Absolutely riveting stuff. The best part about the movie marathon was the discussion that followed these movies. It was such an enriching experience to see how different people perceived a film they had all seen together. I learnt a lot from these observations.

Blood Simple (1985): Sagaro managed to download this rare film exclusively for the movie marathon. I’m indeed grateful to him for that. The first thing that strikes you about Blood Simple is how the Coen Brothers first introduced the elements that we have now come to associate with them. Ordinary, real, small-town characters caught in the most absurd situations. You can also see that the Brothers’ obsession with kidnapping and adultery started right from the first film. Frances McDormand… Whoa! What an actress. And what a long way she’s come from Blood Simple to Fargo (1996) to The Man Who Wasn’t There (2001). All these three films incidentally are about a husband hiring/kidnapping/blackmailing his wife and how things go out of control.

Annie Hall (1977): I’ve been meaning to watch this for years now. Since I recently managed to buy my own copy, I brought it along to the movie marathon, just in case we needed a different genre. And after the first two thrillers, everybody wanted to watch something funny. So we figured we were going to go with the movie that made Woody Allen. I really wish I had seen this before I made That Four Letter Word. There’s a lot I could’ve learnt from this movie, especially the way he reminds people very often that it is a story. This movie demonstrates most efficient use of alienation techniques. The stuff text-books are made of. Also, this was a largely autobiographical movie. And so was mine. At least at the surface level.

As the discussion into how I, in my own way, had tried to differentiate between fact and fiction, reality and fantasy, and life and film, some of those in the audience wanted to watch That Four Letter Word (2007). Personally, I thought it was a very bad choice for a film at the crack of dawn. Let’s see how many survive, I said. I was quite surprised only five were out at the end of it. And most of these boys had already seen it at least once.

So then, since I had an audience, I showed them deleted scenes and exclusive glimpses of the first version of That Four Letter Word — something I hadn’t shown anyone apart from my cast and crew.

Sid has the most amazing rooftop with sea breeze providing the airconditioning. Ganesh, Hats off to you and the rest of the gang. We must do this more often.

P.S: Personally, I think you ought to keep the booze out of it lest it becomes an occasion to drink than watch films. Maybe you guys should keep in mind that you are not going to get too many women from this city attending a fest with strange boys drinking into the night. 🙂

http://sudermovies.blogspot.com

It happened one night!

March 27, 2007 · by sudhishkamath

In case you missed the first edition of the Roof Top Film Festival, here’s the report on Sudermovies.

Page 42 of 90 « Previous 1 … 40 41 42 43 44 … 90 Next »
  • Blog at WordPress.com.
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Subscribe Subscribed
    • MADRAS INK.
    • Join 480 other subscribers
    • Already have a WordPress.com account? Log in now.
    • MADRAS INK.
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar