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  • About GNGM

    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Done: Watching a Star Wars Marathon!

May 22, 2005 · by sudhishkamath

Yoda: If once u start down the dark path, forever it will dominate ur destiny.

Luke Skywalker: Is the dark side stronger?

Yoda: No No. Quicker. Easier, more seductive.

Luke: How do I know the good from the bad?

Yoda: You will know when you are calm. At peace, passive. A jedi uses the force for knowledge and defence. Never for attack.

Luke: Tell me why…

Yoda: There is no why.

W-O-W!!

Watch your kids grow up to Star Wars and Lord of the Rings DVDs, rest assured they won’t need moral science lessons. Once they grow up just a little, put them on a diet of The Matrix.
🙂
I also love this conversation they have when young Anakin Skywalker meets Yoda and the other Jedis for a personal interview before admission into Jedi training:

Yoda: How feel you?

Anakin: Cold, Sir.

Yoda: Afraid are you?

Anakin: No, Sir.

Yoda: See through you we can.

Other Jedis: Be mindful of your feelings. Your thoughts dwell on your mother.

Anakin: I miss her.

Yoda: Afraid to lose her I think.

Anakin: What does that have to do…

Yoda: Everything. Fear is the path to the dark side. Fear leads to anger. Anger leads to hate. Hate leads to suffering. I sense much fear in you.

Wankers versus Prostitutes: Talk about our movies!

May 19, 2005 · by sudhishkamath

(With due thanks more than ever for this post is generating some kickass discussion. Think Mani Ratnam sucks or that DDLJ is unwatchable??? Join in the war in the Comments section!
Added after 50 comments: The title of the blog had to be changed cuz of the Wankers versus Prostitutes debate in the comments section! Who would you rather be? Join in the fun!
Added after 100 comments: Go home! The war is over.)

Sexy Hawt Chick! says:i’ll write abt u and thrash u
Sexy Hawt Chick! says:after all u r hindu’s page 3 boy
Suderman says: hindu’s page 3 is a responsible civic section
Sexy Hawt Chick! says:i am sure!
Sexy Hawt Chick! says:and all those things u said abt superstar in ur blog
Sexy Hawt Chick! says:i’ll copy taht, give u credit
Sexy Hawt Chick! says:and rip it apart
Suderman says:cool!!
Sexy Hawt Chick! says:lol
Sexy Hawt Chick! says:and now that i’ve told u that, i feel less guilty
Sexy Hawt Chick! says:ok tell me sumthin
Sexy Hawt Chick! says:what tamil movies have been “responsible”?
Sexy Hawt Chick! says:thevar magan was abt what?
Sexy Hawt Chick! says:i saw it long time back
Suderman says:thevar magan was condemning violence
Suderman says:it was a rural Godfather
Suderman says:”responsible” for what??
Sexy Hawt Chick! says:what was the theme?i’ve totally forgotten the story
Suderman says:but thevar magan was a violent film
Sexy Hawt Chick! says:responsible media
Sexy Hawt Chick! says:it was?
Suderman says:yes
Suderman says:of course
Sexy Hawt Chick! says:ok swades for sure
Sexy Hawt Chick! says:but what abt tamil movies?
Suderman says:swades was responsible
Suderman says:anjali was responsible
Suderman says:actually mani ratnam’s films are responsible
Sexy Hawt Chick! says:yes but its madras university tehy might give me lesser marks if i talk abt hindi movies!
Suderman says:kannathil muthamittal
Sexy Hawt Chick! says:hmmm….yes…bombay…
Suderman says:bombay
Sexy Hawt Chick! says:what was that abt?km?
Suderman says:abt a little girl’s prayer for peace in the war-ravaged island
Suderman says:sri lanka and terrorism
Sexy Hawt Chick! says:and virumandii was too confusin
Suderman says:given the sad state of the business (films flopping, dwindling business attributed largely to video piracy), it is not the prerogative of the film industry to make “responsible films” cuz the educated “responsible” elite audiences had stopped visiting cinema halls, after having conveniently found the magic of DVDs and home theatre. Hence, the function of cinema changed over the last few years.
Suderman says:Filmmakers here began making films to cater to those who did not have the luxuries of home theatre
Suderman says:which meant that the sensibilities had to be different
Sexy Hawt Chick! says:r u giving me quotes for free?
Sexy Hawt Chick! says:or r u taking that from somewhere?
Suderman says:which is why there is a lot of slumming, dumbing down of content in terms of script!
Sexy Hawt Chick! says:nice!
Sexy Hawt Chick! says:soooper suderman
Sexy Hawt Chick! says:actually to be fair i do understand ur point
Sexy Hawt Chick! says:but then i understand the other view too…
Sexy Hawt Chick! says:now wheres the balance is the question
Suderman says:The plots were just a manifestation of popular sentiment, outrage against the rich, perceived as corrupt… the angry young man prototype, celebrated in the mid seventies, arrived here twenty years late!
Suderman says:The last decade hence, has seen the celebration of the anti-hero
Suderman says:the guy from the street had to be hero, cuz he was a representative of the audience
Suderman says:To understand Tamil cinema, you need to understand the psychographics of the audience watching these films!
Sexy Hawt Chick! says:the death of ideals, u mean?
Sexy Hawt Chick! says:as in ppl feel the champion of idealistic causes dont hold good in their lives?
Suderman says:For a man on the street, the best way to fight injustice is to beat the shit out of the bad guy!
Sexy Hawt Chick! says:but isnt it like a 2 way process
Suderman says:which is why there is a strong dose of violence!
Sexy Hawt Chick! says:doesnt media influence behavious as much as it reflects behaviour?
Sexy Hawt Chick! says:so if they see a super star beating the shit out they will feel justified
Sexy Hawt Chick! says:and then again, given the fact, taht they might not think much abt teh movie and accept content a lot more easily without asking questions
Sexy Hawt Chick! says:wont they internalise what tehy see on screen?
Suderman says:The function of cinema here is to entertain by telling a story in which the common man is the hero and since the common man from the street today has a certain sensibility towards women (voyeurism, leching and other forms of sexual harassment is not perceived as evil, but is legitimised as fun and normal, among the things young people usually do)
Suderman says:cinema is only reflective of the society
Suderman says:cuz if it isnt, the audience will not buy it
Sexy Hawt Chick! says:so u mean to say it doesnt influence society?
Suderman says:the sentiment expressed in a film has to be among the collective conscious of a society for it to click, for it to be relatable!
Sexy Hawt Chick! says:so have ppl become more sexually liberated after globalised media entered
Sexy Hawt Chick! says:nope i think meida reinforces
Suderman says:unless they relate to it, they will not watch it. That’s how strong the audience taste is, down south!
Suderman says:The Tamil film audience is among the most headstrong audiences! They reject!
Suderman says:They reject mercilessly!
Sexy Hawt Chick! says:ok…once upon a time ppl said that abt the malayalam industry too
Sexy Hawt Chick! says:but ever since hindi movies have become so popular
Sexy Hawt Chick! says:theres a lot of dumbing down happening there
Suderman says:Here, you just need to walk into the halls to know what kind of people watch films these day
Suderman says:these days
Sexy Hawt Chick! says:so how does one account for that
Suderman says:A society only gets films that it deserves
Sexy Hawt Chick! says:it is media which has influenced them…
Sexy Hawt Chick! says:when tehy see so much meida talking abt a certain set of values
Sexy Hawt Chick! says:tehy buy it
Sexy Hawt Chick! says:if one movie talks abt one value system alien to them maybe they will reject
Suderman says:No, not really!! I can prove it with an example. Take a movie called Alli Arjuna
Suderman says:made by Saran, one of the most hotshot directors
Suderman says:he made a commerical film, with all popular ingredients on the evils of eve-teasing
Suderman says:it failed
Suderman says:and it bombed miserably
Suderman says:in spite of being what critics would label as a classic
Sexy Hawt Chick! says:but if it is a concerted effort where all the movies seem to be sayingthe same thing…a certain kind of brainwashing does happen, doesnt it?
Sexy Hawt Chick! says:to say it doesnt is to disprove what media analysts have been saying ever since miedia analysis began!
Suderman says:no, filmmakers here need to agree with the audience… else, the audience will reject the stories
Sexy Hawt Chick! says:so dont u see that as a compromise?
Suderman says:it is an audience driven market!
Suderman says:filmmakers will only invest in what brings in profits
Sexy Hawt Chick! says:oh well…we come back to that
Sexy Hawt Chick! says:actually everybody from the media says that
Suderman says:because they have all lost crores making films which have tried to be “responsible”
Suderman says:Take any producer, any director and you can see a responsible film against his name which has failed
Sexy Hawt Chick! says:and so do the alternative media people…they say they dont make money cos they dont cater to audience
Suderman says:and an irresponsible film working
Sexy Hawt Chick! says:but then how does one explain swades?
Suderman says:Swades is a film which was not audience-driven! It was director driven!
Sexy Hawt Chick! says:but people loved it…?
Suderman says:Aayitha Ezhuthu is a film which was not audience driven! It was director driven!
Sexy Hawt Chick! says:still did well…
Suderman says:Which is why both these films had critics lauding them
Suderman says:but in terms of business, were a failure
Sexy Hawt Chick! says:they were???
Sexy Hawt Chick! says:i know ppl who watched AE 15 times!!
Suderman says:Swades made money because of the minimum guarantee a star like Shah Rukh Khan brings along!
Suderman says:An SRK film brings with it 50 crores of business, thanks to the overseas market
Suderman says:and Ashutosh after being an internationally acclaimed director didnt feel the need to make a film which was audience driven…he said what he wanted to say only cuz he was sure that between him and SRK, they cud easily recover costs and make money
Sexy Hawt Chick! says:ok…so…how does one explain that after a long while of stooopid movies in kerala, one movie came along taht talked abt filmakers who make stoopid movies and it became a super hit
Sexy Hawt Chick! says:not just among the middle classes but all over
Suderman says:dont compare
Sexy Hawt Chick! says:shows that the audience is not so dumb
Sexy Hawt Chick! says:but they buy into dmbness over time
Suderman says:Kerala has a different set of people, a different set of filmmakers who are unique
Sexy Hawt Chick! says:when its the only alternative
Sexy Hawt Chick! says:dumb=everything irresponsible, unthinking
Suderman says:you cannot compare it with Tamil or Hindi cinema cuz they are all very different mediums and made for different purposes!
Suderman says:Director Dharani once gave me a brilliant analogy of cinema and tastes
Sexy Hawt Chick! says:but forget the region…the principle behind media wud be the same, no?
Sexy Hawt Chick! says:what did he say?
Suderman says:No… which is what Dharani’s theory is all about
Suderman says:and its brilliant
Sexy Hawt Chick! says:what did he say?>
Suderman says:It compares audience tastes with their food tastes and the purpose of it!
Suderman says:Food in Kerala has a very basic purpose
Suderman says:it is simple…
Suderman says:presented very simplistically
Sexy Hawt Chick! says:go on….lol jus wondering what my mom wud say to that
Suderman says:the gratification it provides is very basic… it is to fill the stomach… that’s about it! It is minus all the frills and variety! Your Mom im afraid is NOT the lowest common denominator…
Sexy Hawt Chick! says:yes but u c i was thinking abt this movie by this bengali filmaker…as usual i forget who and what
Sexy Hawt Chick! says:he made a film for workers
Suderman says:The layman in Kerala eats his fish or bananas or those potatoes
Suderman says:and is content with what it provides him
Sexy Hawt Chick! says:one of the most resp films ever made
Sexy Hawt Chick! says:and farmers contributed money to help him make it
Suderman says:are u gonna let me complete what im saying??? there are always exceptions to a theory!
Sexy Hawt Chick! says:so responsibility “for layman” need not be mutually exclusive
Sexy Hawt Chick! says:ook ok complete
Suderman says:the attitude here in Tamil Nadu towards food is “unlimited meals”
Suderman says:they want a little bit of everything, well presented, and unlimited
Suderman says:they want value for money
Suderman says:the gratification is not just basic as it is in Kerala… they want a little colour in the food
Suderman says:they want spice
Suderman says:they want sweets
Suderman says:they want their buttermilk
Suderman says:they want everything but they dont want to spend
Suderman says:In Andhra, spice and presentation is everything!!
Sexy Hawt Chick! says:ok i get it……so u r sayin there can be no general rule as far as movies go and that u have to be region/audience specific
Suderman says:The layman in Andhra eats cuz he loves the spice
Suderman says:not just to satisfy his hunger
Suderman says:In Hindi cinema, they want their rotis and paneer and punjabi food!
Suderman says:at Punjabi weddings
Suderman says:there is a lot of family attachments to food
Suderman says:and hence to cinema too
Suderman says:occassionally, a Dil Chahta Hai comes along
Suderman says:now that, is like the pizza they have begun to eat
Suderman says:and like
Sexy Hawt Chick! says:so basically back to the argument that nobody can AFFORD to make conscientious films?
Suderman says:yes, cuz to make such films you need a market which is monopolised
Suderman says:by a few directors
Suderman says:and when the audience has no choice but to watch these films
Sexy Hawt Chick! says:so tell me…does mani ratnam do well @the box office?
Sexy Hawt Chick! says:did bombay do well?
Suderman says:that will not happen cuz there’s always a choice
Sexy Hawt Chick! says:in terms of revenue?
Suderman says:Bombay did well… but then, it was made by a Mani Ratnam
Suderman says:when he knew epeople were going to the theatres
Suderman says:it was made when teh market was conducive
Suderman says:plus Bombay in terms of content is one of those rare films which married two formats
Suderman says:not everyone can do that cuz it requires intelligence
Sexy Hawt Chick! says:ok can u jus for a moment think…without arguing and telll me, if everybody were to make conscientious movies, would it be the death of the movie culture?
Suderman says:which is why the likes of Mani Ratnam are rare and celebrated by critics!
Sexy Hawt Chick! says:what if conscientious movies were all they got (like in bengal @one point)
Suderman says:why wud people start making wool jackets and thermal underwear in Madras
Suderman says:if all manufacturers decided that they wud make thermal underwear and woollen jackets, do u think people wud buy them???
Sexy Hawt Chick! says:did pithamaghan do well?
Suderman says:Pithamagan wasnt a responsible film!
Suderman says:it was a bad film
Suderman says:with some great performances, some of them over-rated
Sexy Hawt Chick! says:i thot it spoke for the grave diggers??
Suderman says:it was loud and melodramatic
Suderman says:no… not really
Sexy Hawt Chick! says:but did it do well?
Suderman says:there was a certain cliche it represented grave diggers… it showed them like
animals!
Sexy Hawt Chick! says:hmmmmm…..
Suderman says:vikram looks more mentally ill than someone who lives at the periphery…
Sexy Hawt Chick! says:lol
Suderman says:Tamil cinema is star driven!
Suderman says:and the function of the star is to showcase machismo
Sexy Hawt Chick! says:hmmmm…..
Suderman says:and at the same time, he has to be identifiable with the common man
Suderman says:he needs to have the same traits as them
Suderman says:he needs to have the same attitude towards women as them
Suderman says:he needs to be as crass and crude as them
Suderman says:he needs to speak out and do what they have always wanted to
Sexy Hawt Chick! says: i understand but dont agree
Suderman says:there are always two parts of a hero or any icon
Sexy Hawt Chick! says:i still think it will only reinforce
Suderman says:1. He needs to be someone you can relate to. 2. He needs to be someone who you aspire to be!
Suderman says:A Tamil film hero is a combination of the two
Suderman says:and when he has these two parts in the right proportion, he’s a winner at the box office
Sexy Hawt Chick! says:hmmm
Suderman says:Vijay is Vijay is every film
Suderman says:Rajni is Rajni
Suderman says:thats what Superstars are all about
Suderman says:thats what Icons are all about
Suderman says:A Superstar film is like a James Bond film
Suderman says:people have a set of expectations
Suderman says:if these expectations arent met, they reject it, even if it is Superstar
Suderman says:Baba is the biggest example
Sexy Hawt Chick! says:taht was the movie abt auto drivers?
Suderman says:Gawdd!!!! No! Baba was when the hero decides to take the spiritual path
Suderman says:Basha was the one with autodrivers and it clicked!! Big time! He played an underworld don in it!
Sexy Hawt Chick! says:oh!
(and the argument went on…)

Typical male fantasy!

May 18, 2005 · by sudhishkamath

*Long sigh*
I’m going crazy…
All I can think of is “If only I had” situations… makes perfect script for movie…
You come back from a trip and start dreaming. About the Russian babe of course.
What if I had asked her for coffee?
What if I had asked at least Udderwoman?
What if she did come out?
What if we did have dinner?
What if we did have dessert and more than that?
What if I lost my passport and something else that starts with v… (it’s called a visa people) 😀

P.S: Thoughts at 1.25 a.m. Come on, what else does a guy think of, at this hour?

Oh, btw… I’ve completely re-formatted the page layout and put some fresh blogs at earlier dates to correspond with the actual dates when things actually happened. So you can find new posts from May 6 onwards.

May 17, 2005 · by sudhishkamath


From Russia With Love! *Long Sigh* God lives in Russia doesn’t he?? Posted by Hello

Losing it in Delhi!

May 14, 2005 · by sudhishkamath

It was my last day in Delhi and I had it to myself since my buddy Prady was busy at work and Bharani wasn’t all that well.

I went out for lunch with this amazing friend, someone I’ve just met twice before. Once on Valentine’s day along with my colleague (this girl’s my colleagues best friend). I was in love with someone else back then. And then I met her again during my colleague’s wedding. I’d been hoping to see more of her. She promised to be my date whenever I visit Delhi but that hadn’t happened for a long while cuz I never had a chance to be in Delhi ever.

She was supposed to come down for New Years eve in Madras and I was supposed to take her out then. But that didn’t happen either cuz she was stuck at work.

So finally, I got to meet her after I postponed my ticket by a day (not specifically for this, if I may add). We met at Pizza Hut near her office and spoke about life in general, spoke a lil about my Korea trip, and just general conversation! And then I walked her to her office and took a rick to PVR where Bharani was supposed to join me at four. Since he called in sick, with nothing else to do I decided to watch ‘Kya Kool Hai Hum’.

I felt sorry for myself. I have never ever watched an Ektaa Kapoor serial and now here I am watching her movie?? I must be some loser to watch it alone, I thought. So that’s how bored I was when I paid a 150 bucks to watch that movie!

But guess what?? I was nearly rolling on the floor laughing. It was hilarious. It was corny. It was cheesy. It had plenty of juvenile sexual humour but I loved every bit of it! It has to be among the funniest films I’ve seen!

So after the movie, I went back to the paanwaala where I had deposited my bag, rushed to Barista since Bharani promised to meet me there by 7.30. I charged my phone and waited.
I read newspapers and found out that Qutub Minar is open for “night viewing.”

Bharani came at about nine!

So we set out to catch Qutub Minar on a rick. They frisked us before letting us in and I tried taking pictures of the Minar using my digital camera but somehow the flash would drown the image. I tried putting it on night mode but that turned out to be too sensitive to light.

At ten, they threw us out and closed the gates and turned off the lights and suddenly a tourist spot began to look like a place just right for Kaal2.

We took another rick and got back to PVR where Prady would pick us up from. Prady took us for dinner at this awesome place called Indo Spice.

We then helped Bharani get a rick and were all set to go home when Prady wanted to catch coffee. So we sat at Coffee Day, PVR for a bit. Then we came out and sipped the rest of the coffee sitting on a bench outdoor, checking out Delhi babes.

Prady had to fill fuel in his car and so we went looking for a petrol bunk. He put the window down. The breeze and the radio had an effect on Prady. He decided to take a lil detour on the way back home by a kilometre after filling fuel.

This was when I remembered I had to wish Murugan on his birthday and had forgotten to do that. It was 11.20. Prady was kind enough to go looking for a phone booth and we were near AIIMS when we asked people for directions. There was one near the emergency, casualty ward of the Safdarjung hospital, we heard.

So we got off the car there, and I picked up the phone when we saw people around wearing masks. And then it dawned on us. There was a meningitis outbreak in Delhi and people were dying everyday. Murugan didn’t pick up and I left a message on his answering machine. If you are reading this Murugan: Happy Fuckin Budday! And yeah, may God bless you! 😀

Rushed out the moment I finished the message and we got into the car soon. Soon Prady decided to show me around Delhi. He was wide awake now after a tiring day.

He drove around Chanakyapuri, showed me the best roads I’ve seen in India and I was thinking: All this eight hours before my flight… and that’s when something hit me…

I felt my pocket and I knew instantly… that I was sooo screwed!

My passport pouch was gone!

It had my passport and tickets for the next morning’s flight. It was about 2.20 a.m. And the travel agent’s office probably wont be open before 9.30 or 10. My flight was at 10.25 out of Delhi. I had to register a police case. Too many formalities.

But where did I lose it?

Flashcuts: While depositing bag to paanwala outside PVR before movie, I remember feeling my passport pouch in the side pocket of my trouser/ Inside the movie hall, no memories/ Waiting at barista, no memories of the passport pouch/ Rick to Qutub Minar, no memories/ Qutub Minar… all I remembered was lying on the ground to get a good pic of the Minar… Gawd, it could’ve fallen off then!/ Or in the Rick back to PVR//Or while waiting at PVR for Prady/ Or at the Indo Spice Restaurant/ Or at the loo in the restaurant/ Or at Coffee Day, PVR/ Or at the bench outside Barista where we were checking out the babes…

I gave up hope. I had to accept reality. There was no point putting my already tired friend through the hassles. And then I thought: Bharani… the playful ass that he is, might have taken it just to freak me out and forgotten all about it.

So I call him. He doesnt pick up. Call him 20 times before he finally picks up. He doesnt have it!
“Don’t forget to file a police case. Very important,” he says.

Prady hasn’t given up. He drives us to PVR. And miraculously, they have a 11.30 p.m. show that just got over. That was a good sign. So we plead our way and rush in. Find out way to the Audi 4 where I watched the movie. It’s not there under the seat. “But they clean it after every show,” observed Prady.

So we told them we lost important documents and they took us to the Lost and Found section. They had a register with details of things people left behind.

“20 rupees (10×2 notes) found below seat number H8” was the last entry in the register. I was impressed. “Which show was it,” asks Vipin, the guy in charge of Lost and Found at Audi 4. “The 4 O clock show. Kya Kool Hai Hum.”
“You can check in the manager’s room.”

So we meet Jatin, the manager and tell him about the passport pouch.

He calmly opens his drawer, fishes out my passport pouch like a rabbit out of the hat!

It’s a miracle!

Prady and me decide to celebrate, try getting a drink at a coupla five star hotels. Finally, get home at about four, TO A POWERCUT!!

Under normal circumstances, one would’ve bitched about life! But that night, we continued the celebrations as I pulled out one of the souvenir bottles of Absolut for him!

Cheers Prady! Cheers PVR! Cheers Life!

May 8, 2005 · by sudhishkamath


Before you guys forget, I was there for the Seoul Motor Show. And this, ladies and gentlemen, is yet another object of my affection! Posted by Hello

May 8, 2005 · by sudhishkamath


The Other Woman: If Suderman was gonna be in a Bond-like movie, this has to be the pairing: Udderwoman! Posted by Hello

May 8, 2005 · by sudhishkamath


I’m back! From Seoul! More pics of my Seoul and Delhi trip coming up soon!! 🙂 Watch this space! And I have a bagful of stories to tell, just hope I get the time!
Posted by Hello

May 8, 2005 · by sudhishkamath


I was in Seoul, thanks to Hyundai. That’s me at their plant, standing next to a Hyundai Grandeur. Posted by Hello

May 8, 2005 · by sudhishkamath


And that’s the girl I fell in love with, at the Seoul Motor Show! She’s Russian and couldn’t speak English and I couldn’t speak Russian and we were in Korea! Needless to say, she’s inspired a new movie script! Yeah, I know I look a “full-fledged fruit” in orange! Posted by Hello

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