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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Browsing Tags vivek oberoi

Meet the artiste currently known as Prince

April 9, 2010 · by sudhishkamath

“Uncle, photo,” a kid screams out to the Artist Currently Known as Prince as he turns back to scream back: “Uncle? Who did you call Uncle?” The kid smiles not sure how to react. And Prince asks: “How old are you?”

“Ten,” comes the answer.

“I am seven. I just look big because I drink a lot of milk,” says Prince before calling the kid over and asks someone to take a photograph at the Blur Café at Sathyam Cinemas late on Tuesday night.

The press conference scheduled at four kept getting postponed because Prince was stuck in Coimbatore airport. And then, in Chennai traffic. There’s only so much an action hero can do.

But it has to be said that Vivek Oberoi works hard. Here he was at the end of a long day giving at least a hundred interviews in two cities and still at his charming best, promising a leisurely interview over dinner, one hour before midnight with a flight to catch at six the next morning.

Prince is so articulate that he could write the best ever review for his performance in Shootout at Lokhandwala. Sample this: “It took a lot of hard work to create a character like Maya Dolas in Lokhandwala. He was always on drugs, I had to project this laid back, easy, cheetah on the prowl, man who was seething with crazy amount of self confidence that he could do anything. At the same time, his body language was lethargic, arrogantly lazy… If you watch Shootout, it took hard work to achieve that drawl, that easiness in the dialogue delivery, the menace in the eye.”

We disagree on the merits of Lokhandwala but Oberoi has a rather simple yardstick to define good cinema. “I guess when a film fails, it means the audience has rejected your film. It means they didn’t like your work. Mission Istaanbul was a bad film, it didn’t do good for me. Shootout did really well and won awards, it did good for me.”

Does he regret some of the bad films?

“You wake up in the morning, you take the wrong road with crazy traffic driving to office and you regret it. Life is like that, life is about thinking this is going to all right and realising it didn’t work. There’s no science to that.”

He makes it sound like a gamble.

“Do you know what will work? Art by its very nature cannot be manufactured to precision. Art can be born out of a whim, out of an idea, out of a fantasy, out of how a director is feeling on the day he’s shooting the scene, of what weather you had. Bound script is not something handed down by God. Kisnaa, you want to see it? It’s a thick fat bound script in Hindi and English. Mission Istaanbul was a bound script with shot breakdowns.”

That brings us to how to he signed Prince.

“Prince was a film I wanted to do a film that was challenging as an actor and yet in a sphere of pure entertainment. It’s stuff like the Amitabh Bachchan or Rajeev Rai kind of cinema. It’s the idea of a world’s smartest thief. A man who is charming and super smart and the irony is that someone steals his memory. And he has six days to live and he has to find out who I am, why are people behind him and he has girl problems. There are three girls all claiming to be his girlfriend Maya. So it’s paisa vasool seeti-maar cinema.”

But it wasn’t the five months of training, losing 12 kilos, performing death-defying stunt like hanging off the chopper at 8000 feet or jumping from a 32nd storey to a 28 storey building on the other side that bothered him.

“The scariest part of the film was the kiss, man. There were 700 eyeballs looking at me as I was asked to kiss Aruna passionately. And she said, ‘Don’t worry, I will take care of you.’ First I was nervous, now I am pretty much of an expert now. I can put it up on my wall now: Good Kisser.”

“This is a Bollywood hero who can take down 15 guys but with the vulnerability of not knowing who to trust. It’s like Bourne, or the guy in Memento, there are about 84 films (I bet he randomly made up that statistic because 83.967 per cent of all stats are made up) made on guys who have lost their memory. But here the doctor says that he’s medically fine.”

Does this mean we have to lose our memory, leave our brains home and suspend all disbelief?

“There’s Intellectual stimulation and there’s emotional stimulation. It’s the difference between sitting in a park with a nice glass of juice and sandwich and reading a nice book and riding a rollercoaster. Prince is a rollercoaster.”

Nausea-alert for those of you who like to play it safe.

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