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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For October 12th, 2004

The Balle Balle Freeview!

October 12, 2004 · by sudhishkamath

Ash surely must be Gurinder Chadda’s Chaddi dost or maybe she just got into hers (Chadda’s lesbo Chaddis, of course) to get this role.

Why else would Chadda throw away everything she has earned so hard, after bending it like Beckham, suddenly change her game by swinging her balla (bat in Hindi stupid, you need a Doodarshan commentary refresher) at a total bouncer? Aur, yeh hai chakka! (And it’s a six/eunuch in Hindi!)

It’s beyond the boundary awrite, but not in the cricketing sense. At the risk of sounding insensitive to the third sex, the movie is more like a eunuch at a Zebra crossing than a crossover film. It’s not really Bollywood, it’s not Brit or Austen, nor is it Amrikan’s romantica (well erotic becomes erotica tho romantic becomes romantica na!)

I’m digressing… Gurinder surely seems to be in love, not just with marketing India to the world but also Ash to Hollywood. So throughout the fillum, an Ash-smitten Chadda seems to feeding her lines sayin: “Belle Belle, Thoda aur Le Le”.

Hollywood? The closest she comes to any wood is that she’s wooden. Let’s say Hollywood ignores it because she’s perfect Dollywood material but then our Miss will not kiss and insists on getting outta a swimming pool in a wraparound that could be mistaken for a long skirt. Seriously, no exaggeration. Watch the fillum.

Wait, actually, don’t. I’ll tell you everything you wanna know.

Ash plays a juvenile snooty, judgemental B with an itch who forms her opinion about ‘Am-I-Darcy-or-am-I-Hugh Grant’-dilemma-ridden Martin Henderson, based on what a total stranger on the beach says. Ash instantly falls in love with this Hollywood’s answer to Sallu Salman, only to later learn that he’s a prick who roz (that’s supposed to pun with rose, silly) wants a different babe. But then salla, even a simple villain’s role ain’t well etched out. After getting Darcy’s sister preggie before she turns 17, our firangi Sallu takes forever before he can even muh-lagao Ash’s sister Lakhi (Peeya, the only person to have actually performed in the film apart from Mr.Kholi, yet another crossover stereotype.)

So before the prick can deflower this little rose, Darcy and Ash (yeah, Ash plays Ash in all her films na!) beat the crap outta him with a Prem Chopra rape scene in the background in a movie hall. Haan bhai haan… People in London are still watchin Prem Chopra’s rape movies and understandably so since crossover cinema of today seems to suck! And how!

And then, the movie thankfully gives way to the most entertaining part of the film: The fun end credits. The rest of the movie was just those going ghaghra over bhangra naach gaana dance wance sequences.

Now since you’ve read the review of the movie, do write and tell us: What could be worse than Bride and Prejudice?

The Hindi version, of course!

He he!

So everybody

Bolo Bolo…

Ash sucks, Sush rules! Didn’t she look a million bucks in Main Hoon Na? And she could act too!

Post Script:

Suderman likes to officially thank Ravi for his super sweet words on my blogs in his site.

Suderman’s Top 5 — Assorted!

October 12, 2004 · by sudhishkamath

People!

This has been long due. But I’m just too lazy to mention why I like these films. But most of them don’t need reasons. They are just soooo good!

Top 5 – Romantic Comedies



1. 50 First Dates

2. Shrek

3. There’s something about Mary

4. Pretty Woman/ My Best Friend’s Wedding

5. Notting Hill

Top 5 – Whacko comedies



1. Austin Powers – International Man of Mystery

2. Dumb and Dumber

3. Kung-Pow

4. Dude Where’s My Car?

5. Ali G in Da House

Top 5 – Buddy flicks

1. Bad Boys 1 & 2

2. Dumb and Dumber

3. Rush Hour 1 & 2

4. Lethal Weapon (All)

5. Nothing to Lose

Top 5 – Classy/Witty comedies



1. Bowfinger

2. Groundhog Day

3. Bridget Jones’s Diary

4. Finding Nemo

5. Mask

Top 5 – Spectacle movies



1. The Matrix (all)

2. The Lord of the Rings (all)

3. Kill Bill – 1

4. Spiderman

5. Batman/Terminator 2

Top 5 – Violent movies



1. Natural Born Killers

2. Pulp Fiction

3. Kill Bill

4. Fight Club

5. Taxi Driver

Top 5 – Thrillers



1. Memento

2. Minority Report

3. The Usual Suspects

4. Reservoir Dogs

5. Sixth Sense

Top 5 – Dark flicks



1. Natural Born Killers

2. Seven

3. Monster

4. Boys Don’t Cry

5. Traffic

Post Script:

I watched the Hindi version of Bride and Prejudice yesterday! Will post the review of that tomorrow. Meanwhile, just a word of warning. Watch it if you must, but in English.

Until then,

Balle Balle!

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