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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For January 24th, 2005

Kis… Naaaaaaaa!!

January 24, 2005 · by sudhishkamath

For someone touted to be the next showman after Raj Kapoor, Subhash Guy seems to be trying way too hard if ‘Kisna’ is any show of effort, cinema and frustration.

Reproduced below is the complete screenplay along with character sketches, as found from Guy’s scribbling pad.

Kisna (title role):

Kisna MUST play the flute cuz he’s called Kisna, write a song somewhere in the film cuz he’s the warrior poet and also do a sword fight cuz a sword looks really cool on the posters and publicity material. Remember Braveheart? Remember Asoka? Exactly!

Reason for casting: Random Bollywood belief No.786: Vivek Oberoi, with unkempt beard/stubble, can act. Not that it is required.

Guy’s Note: Give him hair longer than he had in Company, it will cover half his face and his acting skills, of course.

Suderman’s take: Vivek Oberoi’s best role after ‘Company’ (hang on and read the whole sentence) was in a village called Devanapattinam where he built huts for the Tsunami affected. In Kisna, he’s just doing the lead role, which even Keanu Reeves could have done. Period.

Katherine:

A white heroine, who would show her bare back at least thrice in the movie and do a Mandakini in Ram Teri Ganga Maili, Censor Board obliging. But no, our Censors didn’t. So does she at least feature in a Kiss? Na!

Reason for casting: Firang actress won’t have a problem going topless. Plus, International feel and flavour.

Guy’s Note: Things to do before I die: Tender firang actress who’s not even half my age. Tick.

Suderman’s take: Awaiting Director’s cut DVD to see if it was really worth casting her.

*Drool Drool*

Lady Tarzan:

Cast Isha Sharvani. Showcase her great bod and teach Antara a thing or two about what Naach could have been. Also showcase her specialisation: Half-Tarzan-Half-Yoga-Full-Circus-hanging-from-a-tree routine.

Reason for casting: Half-Tarzan-Half-Yoga-Full-Circus-hanging-from-a-tree routine.

Guy’s Note: Things to do before I die: Indian Lady Tarzan with flexible body. Tick.

Suderman’s take: Subhash, Man! You are one lucky Guy!

*Drool Drool*
Complete Screenplay of Kisna (Final Draft)
Start movie somehow with Aaj Tak trying to find out what the story really is when a really old firang diplomat comes to India and takes a dip in Ganga. (Thank you Guy, for sparing us the imagery of seeing this one do it in a dripping wet see-through white saree (like her younger version does in the movie before the killjoy Censors put their scissors there). As they grow up, Insert: Sharvani doing Half-Tarzan-Half-Yoga-Full-Circus-hanging-from-a-tree routine.

After 30 minutes of a build-up and showing the little triangle involving little Kisna and little Katherine and the making of Little Lady Tarzan. Some great camerawork and one awesome Udit Narayan number later, make Amrish Puri bump off Katherine’s father and send Kisna to her rescue. Insert: Sharvani doing Half-Tarzan-Half-Yoga-Full-Circus-hanging-from-a-tree routine.

The rest of the movie, make Kisna and Katherine on the run, as they escape Amrish Puri (who interestingly died, probably after watching rushes of this movie) evil Prince Harming and communal riots during Partition, thanks to Umrao Jaan wannabe (a fantastic Sush) and good Indian Samaritans Om Puri, Hrishita Bhat and Vivek Mushran. Insert: Sharvani doing Half-Tarzan-Half-Yoga-Full-Circus-hanging-from-a-tree routine.

After three struggling hours, Kisna fulfils his karm (protecting Katherine and getting up, close and personal with the babe after she takes a dip in the Ganga, Mandakini style) and dharm (getting married to Sharvani in between her doing Half-Tarzan-Half-Yoga-Full-Circus-hanging-from-a-tree routine). And the movie comes back to Aaj Tak and the old hag who wishes she (were) Rose from Titanic. (Thank you again Guy, for not repeating the Mandakini act with the firang!)

*Suderman flips through Guy’s scribbling pad curiously and finds it finally: Things to do before I die: Old Firang Hag*



Aha!

Review?

Pass. One viewing itself felt like suicide. A Re-view? Go find another idiot.

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