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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For June 5th, 2005

Feeling "Special"!

June 5, 2005 · by sudhishkamath

Yay!!

I got promoted. My newspaper has officially recognised me as a “Special Correspondent” now! And has also given be a 8K raise!

It’s probably the happiest day for me in my career as a journalist.

To be honest, I’ve never really thought or seen myself as a journalist. It’s too serious a word to describe me. I just write. Like I would do in a diary. But because a lot of people read it, I write it a little differently while trying to get the grammar and spellings rite.

So, I’ve surprised myself reaching here and being a “journalist” for ten years now. I started for this tabloid called Metro Ads after my first year of college. I used to write film reviews back then and also had a humour column, apart from doing serious reporting. Then, I wrote for another tabloid called A.m. Plus, the Saturday supplement to Morning Times in Manipal, during my M.S. days there. It was a compulsory thing and we couldn’t say No it, for two years. The serious nature of A.M.Plus haunted us week after week, so much that we were frustrated enough to launch a spoof called P.M.Minus, a raunchy underground version (even if it was just for two issues).

By the time I had joined The Hindu, I already had four years of experience writing features. That sort of helped me to do some quick light writing. I had taken up the job only as a stop gap arrangement till I finished my film. In my sixth year in the paper, today I’ve grown to realise that I’ve become addicted to the paper, so much that I wouldn’t want to stop writing for it, even if I do have to quit it some day.

I’m addicted almost to the extent of being obsessed about my space there. I want to keep seeing myself in Metro Plus, I want to see myself in Education Plus, I want to write for Sunday Magazine, I want to keep doing my reviews on Friday, even when if they get butchered and even if it means working on off days (watching movies, that is! 😛 he he!) and I just want to see myself in every section of the paper.

Why don’t you shift into a lucrative job that actually pays, asked my fresh-out-of-college friends who started off their first job with twice the pay that I was getting after five years of work here. But I used to reason it out saying that I get paid to maintain my brand in the most circulated paper in town and the second largest selling newspaper in the country. “It’s like getting paid to release your ad everyday.”

As a filmmaker, I realise the importance of branding and how much it would help me in getting a larger audience for my films. As a journalist, this filmmaker also had the perfect platform to meet people from different walks of life, get to know what concerns them, what touches them, what affects them and what really makes a difference to their lives. This filmmaker also soon got unique access into the mind of a film critic, while getting to watch movies before anybody else gets to. I do know that one day, I’m gonna be at the receiving end of strong words of criticism, be rubbished around mercilessly so badly that I won’t even be able to hide behind a newspaper cuz the biting words free flowing from some smart ass critic’s keyboard will meet me there, point blank at my face! The same people who liked my work as a writer might want to catch my collar asking for refund of ticket, petrol and popcorn! ha ha! There will be no escape.

But that’s another day. Today is a day to feel Special!
And to bask in the glory of a career that I hardly bargained for. One which has made me ‘Special’ indeed.

Evam Indrajit is a MUST-WATCH!

June 5, 2005 · by sudhishkamath

I went for ‘Evam Indrajit’ today only because it was Sunill’s play.

And Sunill plays Zebra in my movie.

I wanted to watch him act on stage cuz I’ve never ever seen him perform on stage before (I had cast him after an audition and I had no clue then of how popular he was or how talented he was!)

But today, I know why he’s so popular!

He’s such a natural. When I auditioned him, I thought he was just a little loud for the camera, but today when I saw him, I was super impressed with his performance!

More than his performance, I loved the collective effort put into this thought-provoking play which looks at That Four Letter Word: Life.

It looks at life from the point of view of a writer and his protagonist Indrajit, an individual who was becoming a regular standardised living being, arrested by the drudgery of life. The beauty of the play lies in the fact that it is cynical and optimistic at the same time.

Mike’s sets were very simple yet super effective. The actors indeed seemed to be one of us delivering performances which were quite realistic and lines quite spontaneously.

“EVAM INDRAJIT” – your life in three acts, is being staged in association with The Madras Players at the Sivagami Petachi Auditorium, Madras.

If you haven’t caught it, you can still watch it on 11th, 12th June 2005 – 1915hrs
or 12th June 2005 – 1400hrs at Sivagami Petachi Auditorium, Luz Church Road, Mylapore.

Tickets available at LANDMARK, ODYSSEY, FAB INDIA, AMETHYST. For Door Delivery just Call 96102 96102. For further details and/or blockings call the evam helpline – 98402 22363

Evam also has an iDREAM CONTEST which will help you follow your dream and bring it to reality! (a part of it atleast!) Write in less than 100 words about your dream and what you will/have do/done to achieve it + counterfoil of the ticket and stand a chance to win Rs. 10,000!

For more details:
www.evam.in
evam@evam.in

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