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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For October 15th, 2005

Layout, links, updates!

October 15, 2005 · by sudhishkamath

Just for those who haven’t yet noticed: I have updated my links on the sidebar below the movie reviews. Have tried to sort them out under random classifications, just to break them up.

Have listed some of my favourites. That does not mean the others aren’t good, my favourite blogs just reflect my kinda reading. I noticed that women specialise in personal blogs while men seem to stick to general topics that are either funny or light or based on film, technology, cricket and infotainment. So I’ve put select women under a special section called ‘Up Close and Personal.’

Suderbuddies are my favourite people, my closest friends, colleagues and virtual friends. There’s also a separate section for ‘Under 21,’ the young promising bloggers.

Also, I hope I’ve added all those who had asked. Else, just feel free to remind me.

The latest ‘He says She says’ column on dress codes has been posted in its home blog.

Since that’s a column I share with a co-writer, I thought it required a separate blog. So do visit us there if you still haven’t. It has the entire collection, so you could catch up with the ones you missed, right from Episode 1.

😀

Episode 7: Dress code

October 15, 2005 · by sudhishkamath

(Right in the beginning, we had decided the column isn’t just gonna be about topics but also everyday issues. We had to wait till people got the hang of the column. But now that we do have a topic at hand, we did seem to agree that a University Vice Chancellor prescribing a sexist dress code banning jeans, tees and tops was ridiculous. But agreeing is against the spirit of the column. So I had to disagree… Read on!)

She Says:

Are saris more modest than jeans? Are kurtas coyer than capris?

Are women dressed in skirts actually sneaky vamps out to trick clueless young men into life of reckless lechery?

Sigh. Those poor men. If the moral police are to be believed, all they do is sit, artlessly discussing existantialism perhaps, at street corners. Then, boom. A depraved woman in (gasp) a pair of jeans and T-shirt walks past, and they have no option but to start stalking her, passing obscene comments.

Give us a break.

As any woman who’s walked any street in this city knows, you will be followed. You will be whistled at. You will be commented on. And this is irrespective of whether you’re wearing a tiny pair of shorts or a voluminous cotton sari. Irrespective of your age, or your looks, or your size.

That’s the strange thing about this city’s brand of roadside romeos: they don’t spare anyone.

So anyone who thinks that dressing all the city’s students in ‘traditional Indian wear’ will bring down the crime rate is either ridiculously optimistic, or amazingly shortsighted.

Apart from the obvious fact that karate is more likely to deter those hot-headed misguided young men than kurtas, there’s another fact that authorities in question should keep in mind.

Students are rebels. They will always be.

Sari’s can be made of light-as-air chiffon with blouses that are more itsy-bitsy than any self-respecting bikini. Kurtas can be sleeveless, backless and off shoulder. Churidhars today are slinker than the Oscar ballgowns.

Indian traditional wear can give western casual a run for its money anytime. Check out the woman in backless cholis at any wedding, and you’ll know what I mean.

And to think people are protesting denim and T-shirts!

He says:

I agree with the Vice Chancellor.

He’s absolutely right.

Let’s get rid of jeans and short tight tops.

They are not part of Indian culture nor are trousers.

Neither is English nor engineering.

Hence, the learned officials, must also introduce Sanskrit or Tamil as official language and make students dress up in costumes from ‘Asoka,’ a dress code that conforms to Indian culture.

Considering what Kareena wore (or didn’t wear), the attendance from the boys will be unprecedented.

Given that industrialisation, modernisation and subsequent globalisation is taking away from Indian culture, we need to go back to our roots and embrace agriculture.

Gandhiji said India lives in its villages, remember.

Let’s do away with the evil of engineering and technology that’s converting sacred rural pockets into urban centres.

Let’s get rid of education, it was not part of the Indian culture.

Whatever we need to know is there in the vedas, the scriptures and also recorded by our own great great-grand-fathers.

Let’s all learn to shoot with bows and arrows, walk around in loin cloth and hunt for our food.

Let’s get rid of the concept of money, it is not part of the Indian culture. It distracts.

Let’s get rid of democracy, it is not part of the Indian culture. Call the kings, let there be courtesans. Let there be war to decide who rules who. It’s part of our heritage after all.

One billion Indians arrived on this planet because of indiscipline and distraction.

So yes, let’s get rid of sex and embrace abstinence.

Adam and Eve practiced it with much discipline until the apple came in between.

So let’s get rid of all apples.

And peace will prevail, and maybe our dinosaurs will live happily ever after.

Review: The Cave

October 15, 2005 · by sudhishkamath

No IIPM updates here, go away!

Cast: Cole Hauser, Morris Chestnut, Eddie Cibrian and assorted freshers.
Director: Bruce Hunt
Genre: Monster/ thriller
Storyline:What could it be? 😛
Bottomline: Enter at your own risk.

Do flying creatures that munch humans for lunch still excite you?

Hollywood never seems to get tired of mean old monster movies.

The Cave is just an assembly-line export reject, hoping to find takers in a CAS-inflicted regime in Chennai where STAR Movies and HBO come at a premium. But that’s taking optimism too far. For, movie channels give you one such monster film every day a month for the same price of a cinema ticket.

‘The Cave’ is, at best, a crash course on monster movies for dummies.

Cast: Get some guys who’ve done supporting roles in some popular movies. Get guys who don’t mind getting killed after a minute or two and women who look good and scream well. Also one black American to make sure its representative of population, it keeps the brothers happy.

Storyline: A bunch of people venture into a ______ (insert title of the film here… example Haunted Mansion, Deep Blue Sea, Jurassic Park or just say “place” if the title of the film is a creature) only to end up as lunch for ______ (insert name of monster… example Anaconda, Jaws, Godzilla, Aliens, Predator, etc). But for the main guy and the girl (and sometimes, just one more friend) everybody else becomes a part of the monster buffet. And even after they escape, the monsters surface before the end credits to announce a sequel.

Rules:
1. Monsters are huge, toad ugly motherfukkers.
2. They have irregular eating habits, eat humans anytime they please, especially towards the second half.
3. Monsters like their food raw. They eat humans without peeling the skin or the clothes off them.
4. Monsters have short term memory loss. They often forget to make an appearance, especially during bonding and feel good scenes.
5. They are all psychotic, make funny noises that sound like mating calls but are rarely shown having sex. Or indulging in any romantic moment. They do love to eat women but not the way you think.
6. You never find monster crap in movies cuz monsters look very similar, plus there’s a possibility that eaten man/woman finds an exit from the rear.

Treatment: Hire a game addict and give him a deadline of 100 minutes to write a script. All he needs to do is to transcribe a monster videogame.

Get a visual effects guy for a director. People go to watch a monster movie for the effects. Nothing else matters. Or at least that’s what the makers of this film seem to believe. To director Bruce Hunt’s credit, the visual effects for ‘The Cave’ do rock.

But for that, there’s no other reason to venture in.

And yes, if you’re still hunting for IIPM related blogs, you certainly do need admission into The Cave along with… maybe a back-to-back Double Bill with ‘Grudge,’ the movie I would gladly send anyone I have one against. Grudge, in fact, has a burping ghost.

Yes, announcement: Kisna is no longer the worst film made, it’s got to be the Grudge! By miles.

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