• SUDA MING’S CHANNEL
  • TALKING FILMS
  • Good Night | Good Morning
  • My Talk Show
  • PROFILE

MADRAS INK.

Menu

  • Archives
  • Columns
  • Diary
  • Interviews
  • My Films
  • Reviews
  • Good Night | Good Morning

  • Word thru the bird

    Tweets by SudhishKamath
  • Connect with GNGM

    Connect with GNGM
  • About GNGM

    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

  • Browse: Categories

  • December 2005
    M T W T F S S
     1234
    567891011
    12131415161718
    19202122232425
    262728293031  
    « Nov   Jan »
  • Recent Posts

    • Simmba: A departure from the formula
    • Zero: The hero who wasn’t
    • Protected: AndhaDhun: What did that end mean?
    • Love and other cliches
    • October: Where is Dan?

Archive For December 16th, 2005

Buncha jokers, absolutely!

December 16, 2005 · by sudhishkamath

My heart totally goes out to Ganguly.

This is no way to send off the most successful captain. His 40 and 39 weren’t great knocks, but they were pretty adequate given the batting position assigned to him, that requires him to drop anchor. He was only doing the job of a middle order batsman: To hang in there protecting the lower order from the bowlers and giving the batsman in form the charge.

I’m not exactly a Ganguly fan, though I did make a case for him earlier when he was sacked for inconsistency, saying that sport is played through emotions. It’s best enjoyed when you see players ruled by their heart having a blast. I hate to see an emotional side like India turn into a cold-hearted winning machine because a machine does not have a heart. It’s programmed. Sport aint about winning, it’s about character.

The sort of character Ganguly displayed when he removed his shirt … that was like him taking Flintoff’s pants off. The sort of character Venkatesh Prasad showed by striking timber after being hit for a six, showing the batsman the way back to the pavilion. The sort of character Courtney Walsh presented, without running the runner-out-of-his-crease out. The sort of character Dhoni demonstrated in his record innings of 183, blasting his way to the second highest score by an Indian… or Sehwag’s rule-breaking triple hundred or Lara’s batting flamboyance.

None of these unforgettable moments in sport were instances of classic science and applied formula. They were all feats of sportsmen playing their heart out.

The new team India is moving away from what has been the quintessential element of sport: Instinct.

The focus is on developing a standardised winning machine and importance of human and personal relationships seem to be taking a backseat.

People don’t seem to matter anymore. Nor does talent. It’s become like the military, where you train the soldier for war, standardise him, strip him of his individuality and make him wear the uniform that the coach wants him to. Incidentally, Chappell was raised in a military family.

Today, the team is a unit under command and players are kept on a leash. Players merely take orders from the boss/bosses. And cricket is becoming like a routine nine-to-five job with deadlines and targets. Players become soldiers on a mission to win.

So Pathan, with all due credit to his batting abilities, becomes the suicide bomber sent out right at the top order, Ganguly becomes an all-rounder, Dhoni is sent in at all possible slots, Yuvraj has a sword hanging over his head and Gambhir has coach Chappell’s hand over his.

The idea is flexibility, we hear. There lies the contradiction in the approach. Flexibility only makes for unpredictability, not for scientific strategising.

Though it might work for you initially, it’s just a matter of time before the opposition knows you’re gonna send a bowler in at No.3 or give Dhoni the ball at the bowler’s end. The shock value would ultimately wear out.

Also, let’s not forget that we’re just playing at home under favourable conditions. Flexibility here does not prove anything and on the contrary might prove to be misleading. Send in a pinch hitter at No.3 in South Africa or Australia and it might have disastrous results.

You cannot design a winning machine and a batting order that’s based on the same principle as lottery. Preparing your team for surprises is one thing and letting a player settle and specialise in a specific slot that suits his individual style is another. If you really wanted to play scientifically with a specialist for each position (as the selectors now pretend as they ask for a specialist opener), then you don’t mess around with the batting order under the pretext of flexibility.

The team management is doing well hiding behind the ‘Flexibility’ strategy, aided well with some promising batting by Pathan, Yuvraj and Dhoni but didn’t these guys always perform well, even when Ganguly was captain? Scrape the surface and you can see a team ruled by the whims and fancies of a megalomaniac coach.

A man who has the audacity to show the finger to the people of a country he’s come to serve (Can you imagine this happening in any other part of the world and the foreign national not losing his job?). A man with a grudge against the former captain. A man who knows to manipulate the clowns crowned as selectors — the failed cricketers who have their own scores to settle with the captain, their own agendas to push.

I don’t want to see Ganguly as captain again, now that Dravid is comfortably settled in the job and doing a pretty neat job of it but the least Indian cricket can offer its most successful captain is a decent exit. But there is a need to handle people with more sensitivity and understanding. Where is the happy Indian huddle?

Dravid is surely maturing into a fine captain, but I hate the coldness in his words when he says it’s a happy problem to choose between Yuvraj and Ganguly. Surely, that’s not how a captain backs his players. Pathan, Dhoni, Yuvraj and Dravid himself were all players Ganguly backed and stood behind: rock solid. True he has had problems with VVS Laxman but then again, Laxman hasn’t been the most consistent of batsmen either. (You can test that statement and compare his performance with Sourav’s own here.)

‘Divide and Rule’ has been one of the oldest strategies employed by the white man. Pity, we are falling for it all over again.

There’s something that’s pure and virginal about sport that is turning into a manufactured assembly-line ritual with military discipline. Now, it has become serious work.

All work and no play.

At this juncture, I find most apt, the words with which fictional sports agent Jerry Maguire signs off his mission statement — what his mentor Dicky Fox once told him: “The secret to this job is personal relationships.”

Apy days are here to stay!

December 16, 2005 · by sudhishkamath

I watched King Kong again last night and just loved it even more. And hated the sentimental portions just a little more. So those venturing to meet Kong, be warned of the mush quotient.

Meanwhile, the movie has opened to some deservingly fascinating reviews.

Rediff’s Raja Sen, who I met during IFFI, has the best I’ve read on the movie.

Samanth has turned in a neat review too. He seems to like the bonding between girl and ape.

If you head to Lazy’s site, you can see the pedestal he’s just put up for the big ape and his master resurrector.

Well, my own official review appeared today.

Considering that reviewers have been near unanimous about the movie, looks like the King is going to make your neighbourhood theatre his new home.

  • Create a free website or blog at WordPress.com.
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Subscribe Subscribed
    • MADRAS INK.
    • Join 483 other subscribers
    • Already have a WordPress.com account? Log in now.
    • MADRAS INK.
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar