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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For March 9th, 2006

Cut it like Pizza: Re-edited!

March 9, 2006 · by sudhishkamath

This post was born out of something I once posted as a comment in my buddy’s blog.

Maybe I made it sound too light then talking to him the way I always do. But I guess it had to be different here, cuz I’m pretty sure it aint that simple for many reading this. So here it is again, just a lil more sensitive I hope! 😀

My buddy was going through a break up of sorts after a long relationship and a lil disillusioned with the way it ended when I told him:
“It’s not important what she says, it’s always about why she says what she says… the WHAT might hurt, the WHY may not always!
I’d like to believe she said that to make it easy for both of you!
As cheesy as it may sound, to get a neat slice of pizza, you need to cut tough, just to ensure the cheese doesn’t get messy and pull the other slice along while u help yourself.
Cut it fine. And cut it hard. Just a matter of time before you master the art of cutting it off, clinically, surgically, routinely, like it is just some pizza: cheesy is fine, dont make it messy.”

I remember one of the most important lessons I learnt in life was from Prahlad Kakkar, during a half-hour long interaction with him over lunch a few years ago when he came to talk on Creativity at an advertising seminar.

“It is very important to know when to let go,” he said. “It’s like learning horse-riding. You are bound to fall, but wisdom lies in knowing when to let go… If you don’t free your feet in time, the horse will drag you along.”

Letting go is one of the most difficult things to do but among the most important thing too, when you do fall off that horse called relationship.

When exactly do you let go? When do you know it wont work anymore, asked a friend reading my post.

There are always two types of situations when it comes to a relationship not working. A temporary crisis or a permanent crisis. A temporary conflict can be solved with time and space. A permanent crisis has no solutions whatsoever.

A temporary conflict spells: Not now.

A permanent one spells: Never ever.

A temporary conflict has solutions apart from time and space. You can talk it out, resolve differences or do everything there is, to make it work.

When none of that helps, and when ‘Not now’ turns to ‘Never ever,’ it is a sure indication it is time to let go. More so, when the reasons are beyond your control.

It is the biggest act of love to let her go because though it will be difficult for the both of you now, time will prove that it was the best thing to happen.

Also, till you set her free, you really don’t know if she was meant to come back to you. If you are too insecure, you could hold tight on but the unresolved issues that kept you away will keep showing their ugly head again and again.

Closing your eyes and holding on is being in denial. When you wake up to see how long the horse has dragged you, the pain will hit you dramatically.

What would you rather do? Let your loved one find the happiness she deserves by setting her free? Or have her suffer with you, thinking about the impending separation everyday.

I remember a conversation I had with a friend a while ago. What is the difference between ‘Not Now’ and ‘Never Ever’ really, she asked.

It’s a difference between life and death, I told her.

‘Not Now’ is symbolic of life itself with the hope that comes along with it. That death isn’t coming today or tomorrow… it will come some day, we don’t know when.

‘Never Ever’ spells instant death of a relationship.

There are some people you cannot see yourself with, ever. Even if you do like them. So when you know it’s Never Ever, it’s time to let go and move on.

When it’s ‘Not Now,’ give it time and space. There is always hope. It’s not an incurable malady after all.

Which brings me to the short story I wrote recently. I did not expect a whole bunch of people to assume it’s autobiographical. It isn’t. But I guess people do tend to think that way when they find an intense story in a personal blog.

“You mean you won’t do what the warrior did if you faced a similar situation,” asked a friend.

“Certainly not,” I told him. “It only works in a story, not in reality. It’s cool to watch a hero die in a movie. It aint that cool when you have to be the guy who’s dying.”

I’m afraid even ‘That Four Letter Word’ will be like that too. It aint autobiographical, though we did start writing it based on real people.

Because, people don’t go watch romantic comedies to find realism and brutality of everyday life. They go to movies to find some sort of gratification of their personal desires, dreams and aspirations.

Related reading:
The need to know when to STOP.

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