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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For August 30th, 2006

Review: Aap Ki Khatir

August 30, 2006 · by sudhishkamath

The review below was NOT written by me.

I had asked my girlfriend if she could do it for me, just as a joke, of course. And guess what, she actually sent me this with the Subject: Sudhish Ki Khatir. As I get to work and type my review, here’s hers.

(How I wish my paper would print this, but for the language!)

Aap Ki khatir is a result of Dharmesh’s sudden urge to try his hand at comedy, coupled with inspiration from the average chick-flick “The Wedding Date”.

This movie is not a let down, it is the exact crap that you expect it to be. The plot is wafer thin, and the slip-shod screenplay makes no effort to save it. While the stray educated person might have an contemptuous attitude towards the jokes in the first half, the average dumb movie goer seems to lap it up.

The shithead sitting next to me guffawed long and hard for every joke. Yes loser, I’m sure your efforts will be well appreciated by the lazy untalented cast and crew. But even the seth audience did not like the steep ride downhill that the second half of the movie made.

The film revolves around Priyanka Chopra, who is returning to London for the wedding of her step sister(Amisha Patel) to an obviously desperate and horny Suniel Shetty. Or is she going there to make her ex-boyfriend jealous by hiring Akshay Khanna to pose as her new boyfriend? I’m sorry, I wasn’t really taking notes while I was undergoing the torture of actually having to watch this wannabe urban( read Hum Tum) meets marriage musical(read any Sooraj Barjatya’s hash).

The rest is a love story with so many angles to it, that it actually becomes a giddy circle of deceit and drama that doesn’t work, because it’s roots are based on predictability. The crescendo to the climax makes you yawn, squirm in your seat and check your watch a million times.

Akshaye Khanna’s sincere delivery of his lines almost wants to make you say that his acting was not bad. Almost. It was bad and overdone.

Amisha Patel’s awkward hamming has been tried to hide under heavy eye make up and distractingly loud clothes. Didn’t work, we noticed both and can’t decide which we hated more.

Priyanka Chopra looked like a cotton candied butterfly, and tried to flit through her scenes with what was supposed to be charming effervescense. The only thought that kept running through our head every second she was on screen was “How on earth did they pick her to act in Don?!”

There’s also a cleavage flaunting sex siren who has displayed the worst stomach (with post-delivery stretch marks!) on celluloid.

Dino Morea’s performance is forgettable. I didn’t think I could be less impressed with Suniel Shetty. I was wrong.

Lillete Dubey is her usual slutty mom self, while Anupam Kher makes an attempt to say his bad lines well.

Himmesh Reshammiya’s music makes you want to make a cat howl into a tin can and compare the two.

The Punjabi Vs. Gujarati wedding gathering reminds you of its far superior execution in Kal Ho Na Ho.

In an attempt to revive the drowsy audience they’ve strategically placed the title in every other line. So much so that the anti-climax revolves around stale puns on it like “Baap Ki Khatir”. Yes, I’ll wait. Puke and come back.

Anyway, Akshay gets Priyanka, Amisha marries Suniel, Dino had had an affair with Amisha and yeah that’s about it,

If you have to watch this movie, don’t. If you don’t have to, don’t bother reading any other reviews. You’ve wasted enough time on it already.

Warning: this review may contain spoilers. 😀

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