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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For July 8th, 2008

Love Story 2050: When Harry Puttar met Darth Vader

July 8, 2008 · by sudhishkamath

Genre: Fantasy
Director: Harry Baweja
Cast: Harman Baweja, Priyanka Chopra, Boman Irani, Darth Vader, the Dasavatharam Butterfly
Storyline: A Hrithik Roshan look-alike has to use his uncle’s time machine to go into the future and bring his reincarnated lover back to the present.
Bottomline: If this is what love/story/2050 looks like, kill me now… I want to be reincarnated.

Of course, an epic love story of this magnitude cannot be condensed in to 200-paltry-odd minutes. Here are some of the deleted scenes:

a. Two hundred years later when he goes back to the future again because Priyanka has been hit by a bout of lightning for bad acting (when the usual trucks fail, God has to try harder) Harman finally meets the mysterious bald man… Darth Vader removes the mask and announces: “Look, I am your father.” It’s Rakesh Roshan himself. A light-saber fight between Harry Baweja and Rakesh Roshan will be held in public view to promote the sequel Love Saga 2250 ahead of its release.

b. Priyanka Chopra as Zeisha comes back to 2008 and on the suhaag raat, Harman finds out: It’s a boy! Like all the other surprises he had faced in 2050, Harman realises that this too doesn’t change the fact that he still loves Zeisha. God shakes his head (a Rishi Kapoor-look-alike maybe) in a final bid to end the film, sends down that bolt of lightning blissfully unaware that He was going to pave the way for the sequel.

c. The folks at South Australian Tourism board originally wanted more shots of the Aussie hospitality. When Harman knocks down a packet of chips and is chased by a bunch of vengeful guys, remember one of them was wearing T-shirt that said ‘Angry’? A sub-plot involving his pal wearing a T-shirt that says: ‘I cannot climb walls’ was deleted for pace and also to suggest that the hero here was smarter than the average Australian because he could climb and escape. To showcase Aussie hospitality further, Harry retained the scene where Harman dares Priyanka to shoplift and she does so successfully. Another scene effectively highlights the hi-tech butterfly-aided Aussie transport system that shows stalkers stranded on the railway platform which exact station their victim would disembark.

d. There’s a Hrithik Roshan look-alike contest in Sydney where the real Hrithik Roshan decides to show-up for a crowd-pleasing cameo. He loses to Harman because the Harry’s Puttar is more Hrithik than Hrithik himself. After all, he has five perfectly normal fingers to show and at no point does Harman let his I’m-a-seriously-sincere-actor-forever-conscious-of-the-camera guard down. And, these critics say Harman is bad. He’s not a bad actor at all, just an obsessed petty thief… By the way, Hrithik still wants the clothes and accessories from his wardrobe back.

e. The visual effects department has come up with an Academy-award-worthy job. They’ve not only made Harman look like Hrithik, they’ve also created equally gay robots QT (E.T’s distant lesbian cousin) and teddy bear Boo (a sexually confused teddy that finds itself attracted to QT and often does things that make Priyanka spank her or something like that). The endorsement of same-sex attraction is the kind of stuff children’s films of the future are made up of. There’s also a close-up shot of Harman’s delightfully gay admirer during the ‘It’s Magic, It’s Magic’ song. Because of copyright hassles, this song had to be reshot and further de-composed.

f. The dialogue ‘I don’t need luck, I have love’ was deleted after the tenth time. It originally appeared 2040 more times but Harry decided it would be too much of a good thing and has saved it for the sequels. The scripting team has received a bonus after 2050’s cool lingo… ‘Eat Ice,’ ‘You need an upgrade,’ ‘Stop your verbal schabang’ and ‘Snip it’ caught on right from the first show. With critics heaping lavish praise on the ‘Your life is a hot dog without the sausage’ line, more gems like “A hungry mouth needs a banana” and “When you are not engaged and getting any, put your phone on vibrate” have been saved for the sequel.

Because of further space constraints, the rest will be made available on a 2050-disc special edition. This fascinating, charming little film is exactly the kind you should feed your friends to. What are friends for, if not to share such joy.. When time stood still for a film on time travel.

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