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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For June 20th, 2009

Kal Kissne Dekha: Future tense for producer kid?

June 20, 2009 · by sudhishkamath

Genre: Masala
Director: Vivek Sharma
Cast: Jackky Bhagnani, Vaishalee Desai, Rishi Kapoor, Rahul Dev, Archana Puran Singh
Storyline: Soothsaying love child of Uday Chopra and Bugs Bunny comes to Mumbai and finds a bomb standing above a bomb kept by evil villains
Bottomline: Even if this were the last movie released before an apocalypse… Actually, especially if it’s the last film you’ll ever see, don’t!

An ancient Tamil saying approximately translates to: “For a crow, its baby is a golden baby.” But alas, Vashu Bhagnani, born in a different culture, never got this valuable insight.

So, he errs by repeating an old Bollywood mistake, throwing good money after bad.

Instead of cutting losses after taking a good look at his kid, he has actually invested more in really launching his old production. Maybe the word is unleashing.

Jackky (spelt with two Ks) Bhagnani who looks like the love child of Uday Chopra and Bugs Bunny is the latest to join the “Mere Paas Baap Hai” club and the only good thing about this film is his co-star and grand niece of Manmohan Desai, Vaishalee (spelt with two Es) Desai, who will make you hunt for her Kingfisher calendar picture online.

Kal Kissne Dekha is set in a typical Bollywood college. The type where Hip-hop dancers rehearse their somersaults 24×7. It’s that kind of college where students always that turn up to cheer any stupid contest and seniors mess with the newcomer hero by testing his gym skills. And yes, it’s that sort of classroom where juniors and seniors then sit in the same class almost next to each other and are introduced to Newton and gravity… only at the college level.

Sitcom ‘Friends’ fans may remember Joey Tribbiani toast during the Monica-Chandler wedding (his an excuse to demonstrate his “acting” skills to the Broadway producer in the audience). Joey recalls that he was first “angry” (Oh! Why God Why?), then, he remembered some happy memories (he “laughs”), some sad memories (he “sobs”) and some scared memories (he “jumps in fright”)  –  and he realized he will always be their friend: “A friend who can speak in many dialects, has training in stage combat and is willing to do partial nudity.”

That’s exactly what Jackky does in this film.

Director Vivek Sharma sets it up an excuse for Jackky to show us that he can feel at home in a village like Chandigarh (!) or a city like Mumbai… He can lift weights, he can kick ball, race on dirt bikes and has a heart big enough to save the bad guys. He can dance with bikini babes at beachside foam parties or stage shows, drink like a fish, save a girl from drowning and do mouth to mouth (but won’t because of his upbringing) and is dutiful enough to drop her back, even if he’s drunk and can win over her parents.

All so bad that Sanjay Dutt disappears after giving a single shot, Juhi Chawla scoots abruptly, thanks to a bomb scare and Rishi Kapoor hides under a hideous wig. Poor Riteish Deshmukh decides to give karma its due and consents to do a comedy track to launch a VIP son.

But poor Riteish is wasted really because the real laughs come from Rishi Kapoor and later, Dalip Tahil when he reacts to Jackky’s admission that he can see the future. The police chief is just waiting to believe this cock and bull tale of soothsaying, jumps in delight and says: “This is fantastic. Tell me more.”

The biggest laugh comes in the climax when Jackky does a John McLane approved Die Hard stunt. Remember how John killed a chopper using a car in the last edition of the franchise? Well, this one beats that. By a mile.

If Uday Chopra, Tusshar Kapoor, Fardeen Khan and Harman Baweja can all find work even today, chances are that Jackky too would.

Kal Kissne Dekha? Well, the movie isn’t going to be that lucky. It won’t see tomorrow.

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