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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For August, 2010

How To: Be a mass hero in the South

August 31, 2010 · by sudhishkamath

1. Not everyone can be a mass hero. Before you even think of enrolling in an acting school or training to be an actor, ask yourself this and answer it as honestly as you can: Are you God? If you want to be a mass hero, you know the answer to that has got to be “Yes, I am Him.”. Or quit right away, you will never make it.

2. Even before you sign your first film, make sure the city is flooded with larger than life cutouts of you, ideally in white, smiling with your arms folded, greeting your subjects with great humility from up above there. These must contain the title you have conferred upon yourself, preferably in Tamizh. Everything from Top Star to Little Star to Ultimate Star have been taken and most combinations of Puratchi, Makkal, Tamizhan, Kalaignan, Thalapathy, Nayagan have been done to death. Hint: Acquire any of the Sun derivatives or hit other planets for inspiration… Eg. Mercury Nayagan or Jupiter Samy.

3. Remember Thou Shalt Not Sign any film where you will be slapped by any other character in the film. Thou Shalt Not Play a role that requires you to play second fiddle to anyone. Thou Shalt Only Portray the invincible and your contract must entitle you to 30 per cent of your screen time dedicated to walking in slow motion, 30 per cent of it towards dispatching 10 stuntmen (all heavier than you) miles away with just one kick, 30 per cent of it dedicated to heroines dancing around you, singing your praises or people showering petals as you walk by and another 110 per cent of the film will be set aside for an appropriate build up and introduction of Your Majesty… Cameras ought to do their rounds on the circular trolley around you for at least a hundred times in the film.

4. Ensure that your worshippers have started work on building a temple for you and if you have not been able to convince them to do that, issue a press release announcing that you have requested the confederation of all your fan clubs and welfare associations to contribute that amount to charity instead. And that you have no intentions of entering politics FOR NOW. Simultaneously, your films must lash out against the establishment and showcase yourself as the messiah of the masses. It goes without saying that your movie title has to be named after you (ideally some avatar of God) and all characters in the film should refer to you by that revered God-like name.

5. You need to brand yourself with a Mudra – some sort of finger gesticulation that would be easy to replicate by the stupidest guy in the crowd. Use this in all your films and in reality and this Mudra will help you blur the lines between your real self and the reel avatar. The day the first guy on the road greets you with that Mudra, your transition from  Human to Divine is complete. Tip: Avoid the little finger, since it has other connotations. All other fingers including the Thumb are good and if you can pull of the Vulcan salute, live long and prosper. And you know who to sign up as your Advisor.

(The author is an expert in dishing out useless advice to aspiring icons and assorted idiots. This column originally appeared here)

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