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  • About GNGM

    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Soaking Wet, Sipping Cappuccino!

October 12, 2005 · by sudhishkamath


When it poured gallons on Wednesday, we took off on a ride on the Last Samurai to Besant Nagar beach.
We parked the bike under a tree, walked to the shore, spotted many couples making out by the sea, sat by the platform, walked the road like we just bought it, took the traffic umbrella under seige and celebrated our victory with a cappuccino and chocolate excess at Barista, Besant Nagar.
Thank you guys, for letting us in! And taking this pic, however unflattering it maybe! 🙂

Holiday Special Blog: Meet Mani Ratnam and John Abraham: Bakras Return!

October 11, 2005 · by sudhishkamath


My tummy hurts.

Played a bakra on someone after ages. The last good one was on my buddy Abhishek (the guy in the middle if you can see the pic) . That masterpiece of a bakra remains the best we’ve played considering that it was on his budday and also special because he’s my partner in crime (pulling up really fast ones on people).

Thought I’ll blog about this
a. Cuz the last few posts have been very serious, and how can Suderman’s blog be sober?
b. Cuz its holiday season, it’s raining outside and it’s just the perfect time to read/write long posts.

This one happened cuz of the guy at the right Raj who came from Hyderabad for the weekend. After we pulled a brief one on him, he wanted us to play a more elaborate prank on his IITian friend K, supposed to be an incredibly sweet innocent girl who is crazy about Mani Ratnam.

And so it all started at Main Street, Residency Towers.

First, I save Abhishek’s number as Mani Sir. Raj asks his friends back at IIT to ensure that K joins them for the late night dinner at Dhabba Express inside the campus.

Then we set off to IIT. Raj is supposed to gimme a CD of Lock Stock and Two Smoking Barrels.
“You think she’ll believe that Mani will speak to her at 1.30 in the night,” I ask Raj.
“She will. Trust me she will,” he says.

1.20 a.m. Raj introduces me to the gang at Dhabba Express, six of them including K, before he goes to the room to get the CD.

They ask me to join them for dinner.

I go: “Oh, no way. I just finished dinner. Been eating for two hours, especially with a one hour phone conversation with Mani about his new project.”

“Mani, who?”

Me: “Mani Ratnam. He’s doing a musical. I did a coupla stories for him, he liked it so he wants me to take care of documentation and the making of the musical.”

“Wow… K is a huge fan of Mani… Can you introduce her?”

Me: “Of course, take his number.”

“Mani Ratnam’s number??”

Me: “98402 18328. And don’t give it to anyone. You can tell him I gave you the number.”

K promptly saves it on her phone and mine too. She’s very happy already. And we hadn’t even started with our prank. I message Abhi asking him to call me from his phone.

Me: “But don’t expect him to be sweet and all. These celebs they hardly care for people like you or me. They call only when they need something.”

Phone starts ringing. I look at it with surprise.

Me: “Hello…
Yes, Sir…
Oh no problem sir…
[pause]
yes sir…
[longer pause]
Do you want it right away sir?
[pause]
No, problem… I think… I have the notes with me…
Sure Sir…
[flipping notes from my scribbling pad…]
Can I call you back Sir…
I’ll call you in 10 minutes Sir..”

I cut the phone. And bitch some more. I’m pretty irritated.

Me: “I can’t believe it. He wants the minutes of the meeting now. Do you believe it, he wants the minutes of a telephonic conversation I had with him over dinner. And he expects me to have taken down notes.”

I nervously run through the scribbling pad… go to the section where I had jotted down notes of the real meeting. [I had gone to cover the making of Netru Indru Nalai, the musical for real, a coupla months ago… All I had to do was to flip to that section of the notes]

They curiously lean and sneak a peek at the notes. They can’t understand it either.

Me: “How am I supposed to make sense of this at 1.40 in the morning?? Gimme ten minutes guys.”

I then go and sit at another table and start writing down notes. I think, I then refer to the old notes, I act pretty irritated and then start writing… after a while I scratch it off.

In ten minutes, Raj comes back with the CD and sits next to me and asks: Did she speak to him yet?

“No not yet. We have to make them believe it was really Mani Ratnam. Will take some more time. I have to call him now.”

Then I call “Mani Sir”. Making use of the advantage that others cannot hear what he says, “Mani Sir” decides to have fun.

Me: “Yes Sir… I have the notes with me Sir.”
He: “And how’s the chick?”
Me: “It’s alright Sir.”
He: “What do you mean alright? Is she good looking?”
Me: “Pretty Workable Sir”
He: “Workable? For who?”
Me: “We can work it out Sir.”
He: “What do you mean WE can work it out? I can work it out or you can work it out?”
Me: “I can give it you Sir.”
He: “OK. Go on…”
Me: “Sir, the first part of the programme is the one we decided to call BnW, short for black and white… yes Sir, the Pesum Padam sequence… the silent era bit… Yes Sir… Status: Rajeev has done light testing for it and its been sent for programming. Number Two: Flashback Sephia or something Sir.. we are yet to think of a name. And Status: Sabu Cyril has to source a car that belongs to the sixties era for the Viswanathan Velai vendum song.
He: If you had to do all the talking, why call at all… (laughs)
Me: No Sir… it’s all worked out…
He: This is konjam over…
Me: Yes Sir, it is. Number Three: Enter the Eighties Sir… Revathy has got preliminary costume design ready. And we’re supposed to remind Rohini tomorrow about the colours we need. Number Four is the Rahmania Sequence. You weren’t happy with the choice and order of songs. The last part… I think this is what we should do…
He: Aha… You are gonna tell Mani what to do?
Me: Yes sir, I think we should keep it a surprise Sir… No one should know that Vivek Oberoi and Shilpa Shetty are gonna do Chaiyya chaiyya. So we have to leave their names out of the cast in the brochure. Even Abhishek’s (Bachchan) name we have to skip.
He: Why, whats wrong with Abhishek. My name is Abhishek
Me: (cant control not laughing) (smile)… Yes Sir… you had said you wanted it to be a surprise.
He: Okay, let’s not mess it up.. We have do a good bakra.
Me: No Sir, you didn’t disturb me. I’m just out with friends. I have a huge fan of yours sitting next to me Sir…
He: Is she hawt?
Me: (still smiling, half laughing) Yes Sir, like you’re going to come to IIT even if I invite you… okay Sir, we’ll catch up tomorrow… Bye..
He: He he! Bye

PhooooooooooF!
I let out a sigh of relief.
“Finally done. Imagine. Having to give him the minutes at 2 in the morning. And he’s not even my boss. I wonder how he’ll feel if someone calls him at 2 to ask doubts.”
Raj: You told him about K?
Me: (turning towards K) I did tell him about you… But I don’t remember if I said you name and that you’ll call him… did I?
Raj: No, you didn’t tell her name.
Me: Oh, how about calling him now and giving a quick intro. He seemed to be in a good mood and was pretending to be my best friend. He was saying I didn’t invite him to dinner with friends… Like he’s gonna come…You see what I mean… these celebs are just your friends when they need something. So now that we need them, we can take liberties like friends do… You want to talk to him now K?
K: You will call him now?
Me: Of course… (start dialing) Sir, sorry to bother you but this friend of mine will kill me if I don’t introduce her to you… I’m giving her the phone sir…
K: (totally clueless on how to start) Hello Sir… Naan unga biggest fan.
He: thanks…
K: I’ve seen all your films Sir… (super excited)
He: Ok
K: I’ve been wanting to meet you for a long time. It is my dream to work with you Sir… (schoolgirlish excitement)
He: ok.
K: Can I just meet you once Sir… Anytime sir… (fumbling)
He: I’m shooting from Wednesday but I’m sure you can meet me before that. You can check with Sudhish tomorrow.
K: Thank you sooo much Sir. Thank you… It’s great to talk to you sir…(ecstatic)
He: Give it to Sudhish
K:Yes Sir… (totally thrilled, euphoric… utopia!)

Me: Yes Sir …
He: Fix up a date with the chick, some nice place and ask her to meet me…
Me: Sure Sir.
He: Yeah.
Me: Thank you, Sir… Sorry to bother you again Sir..
He: Bye
Me: Bye.

K feels like she’s on top of the world. She can’t believe it. She can’t contain her happiness. She’s a picture of joy. I just didn’t have the heart to tell her. And that moment, I really wished it were true indeed.

I bid them bye and as Raj walks me out, I tell Raj: Let’s break it to her right away.
Raj: No, let her go meet him and find out…
He: Look at her… she’s soo happy. We need to tell her right away.
Raj: Yeah… I guess… okay..

So we go back to the table.
Me: Ok, K… And… Cut. End of scene….
[pause]
The guy you spoke to… was my friend Abhishek.

She could’ve killed me with that look. The whole gang couldn’t believe it. They had all bought it.
“You mean that last call was not Mani Ratnam.”
“No call was Mani Ratnam. I’ve nt met him in two months.”
“It was all made up. Yes, it was all Raj’s idea.”

She didn’t talk to Raj for a bit. After all, she had called her Dad while he was walking me out… She had called her Dad at 2.20 in the morning to tell him she spoke to Mani Ratnam.

What heartless jokers we were!

But as a filmmaker, I was mighty pleased with myself. The satisfaction a filmmaker gets when people buy the world he’s created cannot be described in words… The smile on the face of the maker is the best testimony to that.

On Monday, I’m telling Sonima (name changed ;): You know, we played a prank on a girl on Saturday night… (and then it occurs to me that I can do it on her too…)

Anyways, guess who my latest celeb friend is?

Sonima: Shahrukh?
Me: No.
Sonima: Aamir?
Me: No.
Sonima: Vivek? Abhishek?
(Ha ha ha ha! Of course, Abhishek… not Bachchan though, but I cudn’t have said Yes to that right?)
Me: John.
Sonima: Abraham?
Me: Yup.
Sonima: Tell me, tell me… how did you meet him?
Me: (as I message Abhishek… Can you please call me, John Abraham, Your biggest fan Shonali wants to speak to you. And save his number as John Abraham) I met him last weekend at a friend’s party. We were at Suresh Menon’s place when John dropped in cuz he’s doing a guest appearance in Priyadarshan’s film.
Sonima: Oh wow… so you spoke to him?
Me: Of course, now I’m on first name basis with John.
Sonima: Sooo cool…
Me: Hmmm…
A colleague then intervenes to tell her about her new car…
As Sonima gets up to leave, the phone rings, and I’m a picture of total surprise… I show my phone to Sonima… She reads: John Abraham…
She’s like: Wow!
Me: Hey… what a surprise… You still in town?? Whats up?
Sonima leaves the room.
Five minutes later, I go across to her cabin and ask: “You want to come for a party tonight.”
Sonima: What party?
Me: John’s party.
Sonima: What John’s party?
Me: It’s the launch of Priyadarshan’s latest film at Taj Coromandel. And John just called to invite.
Sonima: How can I come? I don’t want to gatecrash.
Me: He said I could bring my friends along.
Sonima: You sure? Can I do an interview for Metro?
Me: I could check…
Sonima: Call him… Ask him if I can do an interview.
Me: Sure… (dial John) Hi John… well, my colleague here just wanted to know if she can do an interview with you this evening at the party.
He: How about a telephonic?
Me: Ummm… telephonic is it? Let me check… Sonima, you want to do a telephonic?
Sonima: I’d prefer a one on one…
Me: John, why don’t you just talk to my friend, she wants to fix up. Besides, she doesn’t want to gatecrash into the party… She wants you to invite her.
Sonima cringes quite embarrassed as she gets up to leave. I thrust the phone into her hand. And she takes the phone and runs out so that she can have a private conversation.
Sonima: Hi John, this is me.
He: (in a very polished accent): And who is me?
Sonima: (fumbling) I’m Sonima. I was just asking him how can I just gate crash without being invited.
He: That’s okay.
Sonima: So I was wondering if I can do an interview?
He: Can we do it now over phone?
Sonima: Can I meet you in the evening?
He: Yes, you can. But I have a few other interviews lined up. Why don’t we just finish this.
Sonima: Okay, shall I just call you from my phone then?
He: Sure.
Sonima: Thanks. Bye.

And then Sonima turns to me: I can’t believe I spoke to John.
Me: (smiling) Yes…
She: He sounds sooo cool.
Me: (more smiling) Yes, of course.
She: I just hope Metro lets me do the interview.
Me: (more smiling) Ha ha
She: That was John, wasn’t it?
I just take the phone out and show it to her… It says Dialled John Abraham.
That’s enough to satisfy her. We’ve played a million pranks on her and she still falls for each single one of them. “I’m not gullible. I’m plain trusting,” as she often says. The best part about this prank was that she knows Abhishek and has spoken to him over phone before.
She: Now, I just have to get it cleared. I hope they let me do it ya.
He: (still smiling)
She: You aren’t pulling a fast one on me, are you?
He: Of course I am. You think John Abraham will talk to you?? That was Abhishek.
She: What??? What??? Call him… I’m gonna kill him…
Ha ha ha ha!
My tummy still hurts.

Calling Chennaiites!

October 9, 2005 · by sudhishkamath

Finally, people are coming together to voice their concern against rising intolerance and moral policing. A forum is being created to facilitate exchange on issues of morality, personal liberty and freedom of speech and expression in Chennai.

I did a story on the meeting that happened on Friday evening.

Those interested can register by emailing sanerchennai [at] yahoo [dot] com. There is a meeting scheduled to happen at the Asian College of Journalism on October 15, 10 a.m. Please land up for the first brainstorming session to discuss modus operandi. How do we carry out the campaign for civil rights and personal liberty? How do we engage people involved — the lawmakers, the police, the state and the judiciary — in a discussion to create a progressive society free from Taliban-like legislation?

The forum has over 60 volunteers already, including noted lawyers, doctors, businessmen, journalists and even students. One thing we discussed in the meeting was the need to mobilise young people for the movement, especially because they are the most affected and hence have an active role to play considering the future of the civil society.

If we want to be a modern evolved society, we cannot stop with protests and online bitching, we need to engage people involved in a dialogue and reason it out with them. For which, we need to become a significant body that represents the voice of a silent majority. We need to be able to deal with hypocrites and arm-twist them into making them see sense. It is a tough task cuz most of them know they have different sets of rules for men and women. The only to do this is to become a significant mass, a body whose opinions they cannot ignore, a body that reflects sentiments of a significant vote bank. We need to get them on TV and influence more like-minded people to make themselves heard, through electoral franchise or moulding public opinion. There were some fascinating points that came up during the meeting, sure-fire strategies to preserve personal liberty and freedom of speech and expression.

For which, we need you, you, you, you and you to join. The stronger we are, the more power we weild. Let’s show them who rules in a democracy — we, the people!

A blog on relationships!

October 8, 2005 · by sudhishkamath

Arch, one of my closest buddies over the years and the most resourceful production manager anyone could ask for has started blogging. It’s a blog where she mainly writes on man-woman relationships. My friends link list has not been updated in a while. I promise to do that soon. Just leave a comment if you want me to give a link to your site, will also ensure I drop in to your space more regularly!
🙂
Cheers!

Love at first kick!

October 7, 2005 · by sudhishkamath


I’ve had my rockstar bike for a week now.

This pic was taken with a camera phone and obviously does not do the bike any justice. But due to lack of a better camera at my disposal and the fact that it’s already too late, here I go.

And yes, I can see why this bike has a tagline that goes ‘Feel like God.’

I can really feel it. It has been happening for a week now. I take the bike out and everyone in the street becomes my audience. As I kick it, a crowd begins to gather and soon, there are advisors (ha ha!) asking me to use the self-start.

And every morning, I have to tell a different person on the street that the first start in the mornings should always be a kick. It just makes it that much more easier on the battery. Besides, it’s a mark of respect to old school and my Last Samurai. And an exercise as well. An exercise which will come in handy the day the battery fails.

So its like a ritual every morning. I religiously wipe the dust off it, so that the screaming wine red colour shines and gives it that gleaming glory it truly deserves.

A ride on the Avenger, is pure magic. At 180 cc it has all the power you need to rule the road, but when you ride it at 40-50 (as you are supposed to, during the honeymoon period), it is a saint… it’s so gentle that you won’t even hear it on the road. So as I watch people check the bike out as they overtake me, I just merely smile. Im just content and happy that I have my bike. You know the feeling when you have enormous power and you are happy just possessing it and not putting it to use. That is the feeling of being like God.

It’s clearly not a bike for those who wanna do road-rash. It’s a mature, grown up bike. It’s not the fastest, but it can really zip if it has to. It’s not the most powerful, (the Bullet is way ahead it terms of power and then there are the 600cc and the 1000cc, which only the rich can afford) but it can really handle long distance trips if it has to. It’s a bike for those who are content to the extent of being philosophical and grown-up. That is the feeling of being like God.

It’s become a habit getting watched. Yes, it started off with the Orange avatar of Last Samurai but for entirely different reasons (yes, it is now orange after my art-directors gave it a new personality for my movie… obviously I rejected it at the audition level cuz my friend thought I stole it from a mechanic’s garage before he could put it together) but these days, other riders just look at it in awe, often catching up just to ask: “Enna mileage Sir?” I tell them it’s 45 as they continue riding beside me refusing to take their eyes off my cruiser. It’s great when people look at you. The feeling of being like God.

At the parking lot, it occupies the space of one and a half bikes and tends to jut out of the alloted space at work. Clearly out of the ordinary. The feeling of being like God.

[Everytime I come to take it out of the space, I catch fellow employees stopping to stare and ask: “Enna cost Sir?” “Mileage?”
The height of all the attention was cops stopping the bike. Some three of them in three days. Just to ask how much it costs and what’s the mileage. I’m considering putting up a sticker. Ha ha! ]

This is the only bike in India that has a cruiser design in the truest sense. Look at the distance between the front and the back wheel. No other bike, not even the Thunderbird, or Bullet Machismo or the cheap imitation Yamaha Enticer have that kind of distance. Hence, the Avenger is a longer bike designed for cruising, a mini-Harley. And take a closer look at the back wheel of the Avenger, it’s thicker than a Maruti 800’s tyre. By convention, a cruiser does NOT have identical wheels. The Avenger’s front wheel is 2 inches bigger than the rear wheel and it is also much fatter than all other bikes giving it a much superior road grip. It’s so smooth that its really like sitting on a topless car. Only that here, you can also experience that divine feeling of the wind blowing on your face. Puts you at peace. The feeling of being like God.

Anyways, so this saint of a bike flutters like a bird that you can hardly hear it at 40, but just accelerate a little and hit 60 and it gives you a sample of the roar… a roar that can give even Bullet a complex. I love its roar, it instantly makes you feel powerful and you can sense the bike asking for a long stretch of road. One of these days, I’m gonna give it the space it deserves. After all, to experience the feeling of being like God completely, you have to rule the world. Or at least its roads!

So, here I come, world!

As the Last Samurai retires to stay at home forever. I’m gonna give him a fresh coat of paint soon. So that my brother next year can train with him to be a Jedi. And then one day, a few years from now, when I give him this rockstar bike, I will indeed feel happy.

And yes, feel generous like God!

Foul language drives up traffic by 25 per cent!

October 7, 2005 · by sudhishkamath

People!

I was curious after someone suggested that foul language would keep away readers. Not that I really care too much, cuz if they are that touchy about language, they clearly are not my kinda readers.

And seriously, I’ve had enough of moral policing that all I really wanna do to people who try telling me what to do or how to talk/behave is: “Oh yeah, can you read? Well, read this… actually just visualise it: this is the back of my palm, now… read between the lines!” Yup, that tallest one there is specially reserved for you and right now it says “UP YOURS”!

I just checked up statcounter and it tells me that i’ve got over 200 hits than normal… and that too on a weekend when traffic usually drops. And on a day when I’ve not updated my blog. What this means is people love to watch a fight. And I’m more than happy to entertain them.

After all, this blog is home ground. And hey, I always make the rules for the fight here. If I don’t like you, I delete you from this space. So someone who wants a fight here desperately must be someone who’s really addicted to losing. As much as I hate to fight losers, they don’t gimme a choice. They come streaking here with a mask on their face but they’re trying to say something through their ass. Yes, you can’t help but notice when they scream for attention and you can see the right butt cheek say: “Me” and the left says: “Hit”!

So obviously I’ll use the blogger-cane on them! Cuz I, like most of you, do NOT like what comes out from between the cheeks! So I’m gonna whip their ass while you guys watch the fun and contribute to Counterman.

He’s notched up 21,ooo hits in less than 50 days… 46 days exactly!

Moral of the story: Everybody likes to watch a fight… so what if they know how it ends! There, another reason why the WWF is so popular! 😀

Review: Ghajini

October 5, 2005 · by sudhishkamath

Strictly only for those with short term memory loss

My friends and me had a very big argument after watching ‘Ghajini’. We fought over which was worse — ‘Anniyan’ or ‘Ghajini,’ unanimously agreeing both are bad films and also acknowledging that ‘Ghajini,’ like ‘Anniyan,’ would ultimately go on to be a superhit, because both these films have a winner of an idea at their core (which inspite of failing in classy execution and a convincing narrative) will work simply because the audience are starved of decent entertainment. They will lap up anything remotely good.

‘Anniyan’ and ‘Ghajini’ fall in that category.

Methinks ‘Ghajini’ is better, though just marginally.

Let me first begin with a quick review of ‘Ghajini’ to substantiate.

‘Ghajini’ is, if I remember right, all about short term memory loss, I think.

The producers were so sold on to the idea of short term memory loss that seems like it rubbed off on to everyone in the unit including the director.

The screenwriter director forgets he’s pinched the idea from ‘Memento,’ and tries to pass it off as original.

He forgets the purpose why half the characters he’s created exist in the first place (the hunky overacting cop who dies a most hilarious death, for example, or the twin villains probably created to beat ‘Anniyan’ in special effects)

He forgets logic and reasoning and starts believing all characters have short term memory loss (the entire police department after detaining a man with a tattoo on his chest that says “Find him and kill him” lets him go without even filing an FIR because they just found out he’s a patient and a tycoon)

He forgets that a mass-based audience has brains. The movie is sooo dumbed down (the doctor in beginning says: In medical terms, this condition is called (hold your breath) ‘Short term memory loss’ (and not retrograde amnesia or any such jargon) or the line that was greeted with applause from the entire audience, when a Commissioner Nataraj-look alike looks at Surya’s tattoos and announces his discovery excitedly: “All ten digit numbers. These must be mobile numbers.” Ooops, just like the director I opened too many brackets that I lost track of how many to close. 😉

Hence, ‘Ghajini’ is a film best watched with a failing short term memory. That way, you won’t question the obvious flaws in the plot-hole ridden narrative and just sit back, smile and enjoy it. Like you would do with any of those unpretentious Superstar or Ilaya Thalapathy movies.

The movie starts off on a very promising note (if you don’t let dumbing down put you off) with quite an entertaining flashback sequence (clearly the highpoint of the film) of the love story. Asin is adorable, saucy, chirpy and bubbly, a point that works against the film cuz you later have to put up with a contrasting mini-Shakeela in Nayantara looking so whorebble… so much that when the bad guys chase her in the second half, I was actually rooting for them. “Someone please kill her.” Her overacting and close-ups do not exactly compliment her either.

Anyways, back to the narrative, the film goes downhill from the moment the flashback in the first half finishes. The cop closes the hero’s diary and announces: “Oh shit, what happened the next day. This diary has only till December 31.” Talk about compelling story-telling, the cop actually wants to know the climax for the love story.

You just can’t have the audience laughing at such obviously redundant lines.
The lesser said about the second half of the film, the better. It would really be doing the readers gross injustice to tell them that the spoiler is that there are no spoilers in this aspiring thriller. It’s just a free-fall from a respectable first-half.

A friend of mine wished Murugadoss was faithful to Memento. But I wudn’t have liked to watch it then, cuz it sucks to watch a suspense flick when you know how it ends.

Or, like he said, maybe it would have been better had the director chosen to make the film a full-length original love story since the climax for the affair between a tycoon-in-guise-of-common man and a model-in-guise-of-tycoon’s girlfriend in the flashback was far more suspenseful than the film itself.

Instead what you get is a dead end, a free-fall and a sudden lapse of memory that leaves you wondering: It started off good. But what the f*** happened?

However, (I’ve saved up the best words for the last) Suriya rocks, doing a damn good job of not forgetting continuity and underplaying a role that he could’ve hammed through and won acting honours like Vikram did in ‘Pitamagan’ or ‘Anniyan’. He lends a degree of credibility to the short term memory loss patient.

Kids will love this film cuz they don’t watch films to find flaws.

There’s action (actually a little too violent which they might enjoy even more), there are special effects, there are two good-looking people Suriya (my friend couldn’t stop swooning over him, she went crazy) and the bubbly Asin.

And then, there’s their endearing love story. Which is why I like it more than ‘Anniyan.’ But for this, ‘Anniyan’ and ‘Ghajini’ are equally bad, or good, if you liked ‘Anniyan’. Both these films, like I said before, are dumbed down stories told clumsily for dummies. Had they not insulted your intelligence, you may have actually liked them.

Excellent idea, Narayanan!

October 2, 2005 · by sudhishkamath

Narayanan Venkitu has started an excellent campaign on his blog. Thought I must direct all traffic there so that every single person who wants to show anger or give feedback to Dinamalar could do that. It would not even take a minute. If you’re in a hurry, just email here right away. And I request all bloggers to take this up and divert their traffic to Dinamalar’s feedback page so that people could let these idiots know what we really feel about their double standards.
Kudos to Mr.Narayanan for taking this wonderful initiative!
And thanks China for pointing it out to me.
Lets go people!

The ten-minute film school!

October 1, 2005 · by sudhishkamath

Just to take my mind off work and the city’s Taliban system, I thot I’ll post something that makes me happy.

Movies.

I just met this guy who wanted to make a movie. And called himself a wannabe filmmaker. In fact, I have a lot of such guys telling me that they want to make films and want to work under someone.

I dunno. You don’t learn shit working under a filmmaker. You would probably learn all about production hassles, but filmmaking?? No… You surely will learn more watching films. But since I’m a filmmaker yet to prove myself, I will now pass this class on to Robert Rodriguez, whom I met during a Yahoo search recently. Over to Robert…

(Just in case they move the link, here’s the text)

Good Morning Class!
Now a famous film-maker a while back said something about ‘Everything you need to know about film you can learn in a week.’ He was being generous. You can learn it in 10 minutes.
Set your watches we will be out of here in ten kids.
Okay, so you wanna be a film-maker?(Class choruses ‘YES’)Wrong! You ARE a film-maker. The moment you think about that you want to be a fillm-maker you’re that. Make yourself a business card that says you’re a film-maker, pass them out to your friends, soon as you get that over with and you’ve got it in your mind that you’re one you’ll be one, you’ll start thinking like one. Don’t dream about being a film-maker, you are a film-maker. Now let’s get down to business.
Let’s Play!!
What you need to learn is that being creative is not enough in this business. You have to become techinical. Creative people are born creative – you’re lucky. Technical people however can never be creative. Its something they’ll never get. You can’t buy it, find it, study it – you’re born with it. Too many creative people don’t want to learn how to be technical, so what happens? they become dependent on technical people. Become technical, you can learn that. If you’re creative and technical, you’re unstoppable.
Experience – Do you have experience in movies? You do, right – you WATCH movies. Now you need to have movie experience – you’re not going to learn from just watching movies, you’re learn some things, you’ll learn more picking up a camera, making your own films, your own mistakes – mistakes don’t have to be mistakes, everything is subjective – a mistake to one person is actually a piece of art to someone else. Hide behind that, tell everyone its art, you can get away a lot.
Start with a screenplay. Does anybody here know how to write? No – good. Everyone else writes the same way. Start writing your way. That makes you unique. You can take writing classes, that’s good, but don’t bother to go to film school or you’ll be making films like everybody else. We want to see your film.
How do you write a script? Well, you obviously don’t have a lot of money or you wouldn’t be in my class. So you wanna make a movie but you don’t want to spend a lot. You’re gonna come up with problems everyday on your set. You can get rid of the problem one of two ways – you can do it creatively or you can wash it away with the money hose. You got no money, you got no hose. So let’s make a screenplay for a movie you can actually make without having to make your parents poor. Let’s make a cheap movie.
How do you make a cheap movie? – Look around you, what do you have around you? Take stock in what you have. Your father owns a liquor store – make a movie about a liquor store. Do you have a dog? Make a movie about your dog. Your mom works in a nursing home, make a movie about a nursing home. When I did El Mariachi I had a turtle, I had a guitar case, I had a small town and I said I’ll make a movie around that.
How do you visualise a movie? With storyboards, you can do that. You can previsualise your movie and draw them out, but what you should really do is make a blank screen for yourself and watch your movie. Close your eyes and stare at this. Imagine a screen, imagine your movie. Shot for shot, cut for cut. Sit there, close your eyes and get rid of everybody, get rid of all your thoughts in your head except your movie and watch your movie. Is it too slow? Is it too fast? Is it funny? Does it make sense? Watch it and then write down what you see. Write down the shots that you see. And then just go get those shots.
Equipment. OK let’s go over the equipment. The worse the better. You don’t want anything too fancy, remember this is your first movie – you’re not Spielberg yet. I used this one for El Mariachi, almost the same one, I used a 16M this is a 16S, this is exactly what I had. It helped me move fast because it was light, it was very noisy so I could do the sound in a wacky way, but this thing here would cost you about $2000. Don’t spend that kind of money, find some monkey that own’s one. I found somone who had one of these sitting around, he wasn’t using it. I borrowed it from him, I shot my movie.
(Points at what look’s like a damn heavy tripod) Look at it, this is a nice stand, its a very solid stand, y’know what’s gonna happen? The camera is gonna stay on the stand, you’re just gonna keep it there, ‘cos its so nice, meaning your movie’s gonna look…stiff. Take it off of there, sit in a wheelchair, push yourself around, get some energy in your film. That’s the great thing about first films is that they have so much life and so much energy. Big productions can’t even duplicate that energy, because they’ve got too good a stand and too much crew and everything is really smooth and polished and its lifeless. Add life to your film by getting rid of the fancy stuff. (Points at the tripods) Too good, too heavy, too good – just use your hands.
Here’s a lightmeter, this isn’t the write one, I broke my other one. This is a spotmeter, that’s OK but it’s too fancy. You just need one with a little white dome on it, point it to your subject, read the light, look at the number on your lightmeter – remember your lightmeter is your friend – feed that into lens and the iris, and then you’re set. Start shooting.
Don’t overlight. On Mariachi I had two lights, regular lightbulbs, they were balanced for indoor film, so look fine. In fact everyone said the lighting looked moody because there was very little light . Your mistakes, your shortcomings suddenly becomes artistic expression.
Finally, postproduction. When you’ve finished shooting your movie what do you do? (Picks up video mixer) These are your friends my friends. Video editing systems, computer editing systems, anything like that, its immediate, its easy, its cheap. Do not cut on film. Film is your enemy. You may be shooting on film but don’t cut on film. If any of you want to cut on film get out of my class right now. Go spend $20,000 on a real film school and do that. You’ll never get a job though – believe me.
Everything is on computers or video these days. Film is slow, film is expensive, film is not creative – film take’s too long. Cut on tape that’s what I do. I shot Mariachi for nothing. I edited on video. I had a three-quarter inch master that looked beautiful because the negative was transferred right to tape. There was no middleman so it looked like 35mm – clean, pristine. I made VHS copies of this, sent them out all over Hollywood. I never made a film print. (Picks up film strip) Waste of money. You have to string them up, they get worn out. They’re expensive. They’re copies of your negative. You don’t want that, you don’t want copies of your negative, you want your negative…on tape. Where people can duplicate it and watch it and get you work.
OK so you’ve made your movie, you’ve cut it, you’ve got it out, people want you. What do you do? The first thing you want to do is get an agent – right away. Hollywood is full of sharks, you need a shark working for you. These guys go and get you the best deals, they get you the best prices, they get you the best movies.
What you’ve learnt is what no one else has. How to make a movie dirt cheap. No one else in Hollywwod knows how to do that. You guys can make them cheap, you guys can make them better, don’t get swallowed in the system, take advantage of your position.
Now I make movies that are still low budget but they look like big budget movies because I learnt the techniques that I just showed you today.
All right I’ve got to go back and do my own films so I hope you guys learnt something today, I hope you grab some of these cameras and go shoot something of your own, I hope you write down the ideas that you have, the dreams that you have.
Stop aspiring, start doing.
See you in Hollywood – be scary!

Episode 6: Watching your weight

September 29, 2005 · by sudhishkamath

(Shonali initially refused to write a response to this saying it was extremely distasteful and not worth replying to. I’m glad she did! Aint she good?)

He says:

Ever heard of a girl who eats her heart out and your whole wallet along with it?
In all probability, very unlikely.

Even if she did, it’s incredibly simple to get her to stop.

Pssst: Move romantically closer to her ears and whisper the magic word: Calories!

Then, just sit back and watch: She’s sure to jump out of her chair, pull her stomach in and rush to the restroom. No prizes for guessing, she’s in there checking her waist praying: Mirror, mirror on the wall, can I ever reduce at all?

I don’t get it. Why are women paranoid about putting on weight?

Yes, agreed, there are guys too — the types who believe that the gym is the temple that makes you God.

But that’s just a minority really. Men don’t seem to mind having a little paunch. Some of them, in fact, flaunt their pot-bellies like proud pregnant mothers before the delivery.

The health-conscious decide to burn the beer and the beef by working out the very next day. And the rest know that a few smart lines is all it takes to get the woman find you attractive because women go for brains remember? Or at least they claim so.

Besides, when men are fat, women do seem intelligent enough to realise that there is “more of you to love.”

But to be honest, it’s great that women are figure-conscious.

Men do think that women who watch their weight are super smart. Because, they appreciate and totally dig beauty and attractive women. Besides, what will we men do every time we need a date, but for that adorable babe in the hot dress all dolled up and looking like a billion bucks? Ha ha!

She says:

They say that if Barbie had been a real woman, the only way she would have been able to move with that body structure would have been by crawling.

She must have been thought up by a man.

And she proudly goes on to give women complexes about their appearance even today. But what a lot of men don’t realise is that air brushed magazine models, anorexic ramp walkers and perfectly proportioned movie stars might be the stuff dreams are made up of, but are very likely complete nightmares to date, or live with.

After all, how sweet can you disposition be if you’ve live on a diet of celery, obsess about your skin and hair all day, and spend every waking hour pulverising your body into shape.

No lazy weekends on the beach, no heading out for icecream and hot chocolate after dinner, no sitting up late with cappuccinos and friends. Because, getting sunburnt, putting on a hundred grams or gaining the faintest shadow under your eyes could just be a fate worse than death.

But then, any man who thinks that he’s achieved his very purpose for living when he gains a ‘babe in a hot dress’ hanging off his arm probably isn’t really looking for a girl friend. He’s looking for a trophy.

And as any intelligent woman knows, we’re not trophies. And we’re not decoration.

A beautiful woman lights up a room, not because of her measurements, or an itsy bitsy dress, or because she’s steadfastly refused herself chocolate cake for the past ten years. She’s beautiful because she’s funny, intelligent and glows with self-confidence.

Intelligent woman don’t count calories. And intelligent men don’t expect them to. Beauty, after all, is not only subjective. It’s also just skin deep.

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