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  • About GNGM

    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Posts By sudhishkamath

2005: Starting trouble!

January 1, 2005 · by sudhishkamath

Well, it wasn’t one of those nights which brought with it the celebration it is known to spread. It was a rather quiet night and a totally sober morning after.

Starting trouble 2005.

I hate to be sober. At the beginning of a new year.

Because when you’re high or happy, you decide on a few things, you tell yourself it’s all gonna be great. That it’s a fresh start, a new beginning, and all that regular feel good rhetoric I wrote in my Metro Plus story, in the course of duty.

2004 was the year of being content and happy, I learnt to be patient and take it easy — thought it was all part of growing up and maturity.

And now, as the new year dawns, it’s almost like I’ve had to price to pay. At the cost of being happy, I feel I’ve let my dreams down a little. I’ve been too content and satisfied way too early in my life. Two promotions in a year does sound good, but dude, this isn’t what I want to do with the rest of my life. Or is it?

I think I’m lost.

I don’t seem to know my way around to reach my dreams.

I’m wondering over that road not taken.

I’m beginning to believe that growing up isn’t a good thing and patience hasn’t done me any good.

I remember raising a toast a year ago: “2004 will be the year of That Four Letter Word!”

Today, the only four letter word I could think off, is JINX as I helplessly watched my printer flash an error message after printing out 23 pages of my 80 page tightened-up racy script. I fix that and find that the scriptwriting software itself is now corrupted. An incomplete task. A visual metaphor, I realise as I carefully take what had come out of the printer and put it in a brand new file I made my brother fetch for me!

Earlier last year, the editing studio guys called me because they discovered that fungus found my footage interesting. And my friends found it funny that finally, someone liked the film. I laughed at the joke. And then thought to myself: “What assholes!”

I thought it was fine, I had it all under control. Besides, thanks to the five-year learning curve on this project, I knew that the new product would only be much superior. And the more films I saw during the year, the more confident I felt, the more I felt I had learned from their mistakes. Also, every movie that moved me to tears was a lesson, every moment that made me laugh was education, every film that made me think was a case study.

I still am confident that I can make a good movie. But will I make it at all, is altogether another question.

Yes, I’m lost.

And that’s a good sign because it means I need to find my way out. The good news is that I have an entire team with me in my search.

Wish me luck. I’m making a start.

Tsunami Relief Work: The contact numbers I was talking about…

December 30, 2004 · by sudhishkamath

Well, my paper goofed up running the story without the contact numbers. We might be carrying it soon on the paper. But here it goes, for all those who want to volunteer help, not necessarily in cash.

Tsunami Relief Workers Contact Numbers

AID India Chennai

Office: 044-28350403/ 55615629

Ravishankar: 94440 84910

Smitha: 98401 73800

Vibha: 98402 63275

Chandra: 93823 30752

* * *

Bhoomika Trust

Office: 044-2493 7181

Jayendra Panchapakesan: 98400 61183

Sudha Panchapakesan: 98400 37273

Raju Rajagopal: 98401 73650

Vandana: 98405 27893

* * *

AID Nagapattinam

Stalin: 98427 07025

Senthil Babu: 94432 58998

Rayar: 98426 78396

* * *

AID Cuddalore

Ramesh Babu: 94434 39212

K.P.Narayanan: 04142-229018

* * *

AID College Co-ordinators

Priyanka: 98841 99679

Vaishnavi: 98413 52104

* * *

Tamilnadu Fishermen’s Society SIFTS

Vivekananda: 98470 84840

* * *

SIFTS Tharangabadi (20 kms from Nagapattinam)

Teelar: 98470 06272

* * *

SIFTS Karaikal

Anthony: 93878 25186

* * *

People’s Watch Madurai Group

Henry Tiphagne: 98430 25859

Thiruvaroor

Kalakaran: 94433 40302

Chennai

Devaneyan: 94441 51626

Cuddalore

Nizamuddin: 94432 31978

Nagapattinam

Louis: 98421 28521

Srivalliputhur

Rajan: 98427 61046

* * *

Ila Kitchens Rescue Team

Chaya Devi 98400 71300

Ishwarya: 98403 19412

* * *

ILA Helpline

044-2498 5515

* * *

Smile

Param: 98841 99284

* * *

What is it about women?

December 29, 2004 · by sudhishkamath

Yeah, I know. My blog is getting a little too heavy with gyaan. So I thought I’ll talk about something more er… lighter – Women!



I often wonder. More today than ever before.

What is it about women that attracts us towards them?

Let’s face it, as much as we might pretend to run after that elusive “hawt chick,” the truth is that we don’t really give a damn about statistics (they aren’t always vital) or biology (yeah, anatomy is interesting but not always) as much as we care about the chemistry (How I wish Sushmita Sen was my chemistry teacher too! *Sigh*) or physics (Love: Matter can neither be created nor destroyed).

Men like women. Period. Men do not need a reason. They find the quietest girl cute and even the most talkative girl sweet. They call the roundest girl ‘teddy’ and the littlest girl ‘baby.’

Contrary to their strongest belief, breasts aren’t always the things men look for in a girl. In fact, men even find flat-chested women hawt. Look at the ‘top’ most anorexic models, men drool over them as much as they drool over Pamela Andersons’!

Men like women who give them tons of attitude and they even like women who are actually angels that dropped by to make the world a better place.

Men like women irrespective of what clothes they wear and even when they aren’t really wearing much.

We like them when they are exactly the opposite of us. Or even when they are just like us.

Men simply like, they do not really discriminate on the basis of colour, height or sense of humour… or sex as long as the gender is right (we’re talking about straight men!).

Okie, men don’t like all women (hello, but women don’t like most men!) but then, men surely like more women than the number of men women actually like.

I’m pretty convinced it’s not just lust. Because lust has to do with physical appearance. And men know that at kissing distance, any girl looks hawt. But then when you kiss, your eyes are closed anyway (unless you are doing something like what Shahid and Kareena did, to make headlines).

So what is it about women that attracts us? What is it that excites us when we are with them? That wants to make us hold their soft tender hands. That makes us want to talk to them, spend time with them or just be with them. What is it?

Well, it’s mysterious. And I think THAT… I mean THAT mystery, THAT enigma that makes a woman, teases us, fascinates us, enlightens us and is what makes it exciting for us. It’s the process of figuring them out, the journey of discovery of the woman, girl and the baby in them that brings us great joy and a little sorrow but then… what is joy when you don’t know the meaning of sorrow.

Ha! There! I’m back to my Vanilla Sky “the-sweet-is-never-as-sweet-without-the-sour” line. So my question now is: What is it about us men that women find so attractive? He he! 😀

The role of conscience!

December 28, 2004 · by sudhishkamath

All wasn’t merry after christmas after all. 😦

But I guess the positive way to look at it is:

THAT since it was the night after christmas, many fishermen din’t venture out into the sea. God saved them!

(But why did He have the others for breakfast?)

THAT it wasn’t New Year’s Eve when the Tsunami struck. Wouldn’t have been happy new year with all those beach parties.

(But since it dint, people are gonna blow thousands on new year celebrations!)

THAT life has its ways of bringing people together in the times of crisis. It’s so heartening to see relief work happen before your eyes, I’m truly touched. I compiled a list of contact numbers today and spent some time attending the co-ordination meeting organised by AID-Bhoomika Trust and half a dozen other NGOs. Must be out in the paper tomorrow, those interested in helping but didn’t know how to, can call any of those 25 contact numbers around the State.

(But do we have the resources and volunteers to cater to 10 lakh affected people and build homes in 2000 villages?)

THAT it’s incidents like these that make you sit up and feel sorry, socially responsible and angry, you wanna do something. It brings a tear to the eye like it did for Madhavan in Anbe Sivam or Shah Rukh Khan in Swades, and makes you want to be a better person.

(But just for a moment or few because most of us are busy and caught in our own world – work, responsibilities, problems. Like Sudhon said somewhere in his comment in an earlier blog, we just see a movie like Swades, feel bad about the state of affairs and then what? Move on with our lives?)

THAT even indifferent people like that do not seem to mind donating one day’s pay to the relief fund. It at least reduces income tax. If five crore people from Tamil Nadu who can afford to see Baba or Virumandi give 100 rupees each, we have Rs.500 crore…

(But we don’t have a mechanism to collect this money from these people. However, there’s gonna be much much more money than that coming in from all around the country and the world through assorted relief funds. The question is: How is it going to trickle down to help the poorest?)

THAT even politicians are working day and night to make realistic assessments of the number of deaths so mobilise huge relief funds from the Centre.

(But then, they also have the con-science to pocket it.)

Checkbox Theory: Leov!

December 24, 2004 · by sudhishkamath

Basically, you got it.

Yeah, a theory about love/lowe/leov/leow/luv/ishq/vishq/pyaar/vyaar/kathal/kadalai…

Before I start this theory of mine, here’s a disclaimer:

I don’t claim to know it all like someone people here do, but from over half a dozen relationships in a year and after counselling another half a dozen people involved in half a dozen half relationships (yeah, complex alrite), I put together this brutally clinical theory on love and its forms, which might be useful to you if you’re confused about your relationship and wonder why it isn’t working. If you are in a utopian dream romance, you won’t need this. But hey, when did a little theory do anyone harm!

Theory istart:

Let’s say

A = Boy

B = Girl

Stage one: For anything for somethin to happen between A and B, the two need to have ticked these checkboxes. Do you both have enough of this together?

1. Time []

2. Space []

So once they’ve spent adequate time and space together, there are these things that need to say Yes.

1. Heart []

2. Mind []

3. Body []

4. Soul []

If it’s only Heart that says Yes and the others disagree with the choice of person, then it’s what will be known as crush or infatuation.

If it’s only Mind that says Yes, then it’s what will be known as a relationship of convenience or arranged, premeditated, calculated relationship based on rational thinking.

If it’s only the Body that says Yes, it’s what you’ll one day realise it was Jusht Lusht… some people call it Leov at firsht sight! *sigh*

If it’s only the soul that says Yes, it’s purely platonic and you guys make great friends. [Yeah, this has already been explored in a previous blog but here it is again for you to see the full picture]

Now, for you to be really sure that you are in leov, you need to confidently tick all these checkboxes. Can you? Look at em again…

1. Heart []

2. Mind []

3. Body []

4. Soul []

Okie, now see if the other person can tick all the four too. Cuz if A can and B cannot or if B can and A cannot, then, it isn’t really a balanced relationship. And there are plenty of chances for the relationship to fail. So think about it. So think again, can you both… can both A and B tick these boxes with a clear conscience?

Good, now check if

A’s contribution = B’s contribution.

It is? Great. Congratulations, you guys are truly, madly and deeply in love with each other.

Over to Phase Two. Can you make this thing work? Is it possible for you to take the plunge?

Welcome to a few more checkboxes. And make sure both A and B both fill it independently and assign values on a scale of 1 to 25 for each of the following.

1. Effort []

2. Resolve []

3. Faith []

4. Truth []

Does it match up… is A’s effort equal to B’s? Is A’s Resolve equal to B’s? Do A and B have equal faith and trust in each other? Do A and B both tell each other every single thing that’s needed to sustain a healthy relationship?

Now be honest when you add up A and B’s contribution. If it’s equal, you guys are a match made in heaven and everyone else can go to hell… if it isn’t, there’s some amount of talking to be done so that A’s contribution and B’s contribution is more or less equal. 60-40 is okay, 40-60 is okay, 50-50 is great, perfect and too good to be true, 70-30 indicates that it’s lopsided… that’s like the danger sign… the minute things become 80-20 or worse, you know you’re in trouble. Which is when you go back and consider all these ten checkboxes and try to tick them honestly from both sides — A’s perspective and B’s point of view.

1. Space []

2. Time []

3. Heart []

4. Mind []

5. Body []

6. Soul []

7. Effort []

8. Resolve[]

9. Faith []

10.Truth []

if you can’t tick all of these, watch out, try to talk it out and let go.

Learning to let go and knowing when to let go is such an important part of leov. Else, you will only undo all those moments of joy you gave each other. Leov will soon turn to hate, bitterness will creep in, sorrow will choke your system and nothing can stop tears from popping out of your eyes!

Before letting go, see if you’ve done everything you could do to make it work. Don’t give up before you try all million things you can do for love. Else, you’re always gonna sit back and wonder: What If? (I remember saying that before, but hey, its part of the checkbox theory!)

* * *

I saw this beautiful 1943 French classic called Children of Paradise… God, it was some three hours long and a black and white film but guess what?? i loved the movie. I dunno French but the English subtitles helped to comprehend wat the movie was tryin to say: Love is such a simple thing.

Yes, it truly is. So just go with the flow. And don’t get into the checkbox theory until crisis really sets in. When depression truly sets in, use checkbox theory and stick to your decision.

* * *

The theory could get more complicated depending on how complex a person you are. Here’s how. What if you are very particular about…

1. Height []

2. Weight []

3. Vital Stats []

4. Skin colour []

5. Age []

6. Sense of humour []

7. Caste []

8. Religion []

9. Language []

10.Education []

11.Intelligence []

12.Sex (yeah!) []

13.Interests []

14.Movies []

15.Music []

16.Diet []

17.Social status []

18.Compatibility with friends []

19.Sensitivity []

20.Sensibility []

Oh, there are many many more like horoscope, astrology, chemistry, history, biology, statistics etc. So the more complex your taste it, the more the checkboxes you need to fill. So… think again! Who said love was simple? 😛

Kidding… It actually is. The theory is just for those who want to clinically get-over a relationship… The easiest way to kill love… is to dissect it!

Theory finish!

Thank you for attention!

L:)ve

Me!

December 21, 2004 · by sudhishkamath


Cover Story: Since I’m missing people asking me if it was really me on the cover, I thought I’ll renew my claim to fame. Presenting Ladies and Gentlemen, Suderman as Nitish (as Ananda Vikatan wrongly carried my name! he he!) Posted by Hello

December 21, 2004 · by sudhishkamath


Windows Ver. Suderman before haircut! Posted by Hello

December 21, 2004 · by sudhishkamath


Long pending: Suderman after the ‘Bounce’ effect! Ek chotti si saab story! Posted by Hello

Swades Trivia: The hangover continues!

December 20, 2004 · by sudhishkamath

With this fourth consecutive post on Swades, this blog is likely to become the unofficial Swades fan club. He he!

But after I watched the movie again, my respect for this movie has gone up by a few notches. People, this movie is a CLASSIC. And the background score simply rocks. I find the theme score pretty haunting, too bad it’s not on the CD… it’s the music that appears during the opening credits and later in the climax with a mission impossible feel.

Here are some of the things I noticed watching it the second time.

SPOILER ALERT: Well, don’t read ahead if you are very touchy about details and specifics and would want to find them out for yourself. But come on, this isn’t exactly a thriller. And there’s no climax. It’s not the kind of movie you would watch for the story as such but the kind you will worship for the narrative (the way a story is told).

So here we go, the Swades trivia:

The bookshop where Mohan meets Gita for the first time, and asks her for the way to Charanpur, is called Pathfinder.

When Mohan is at the book counter, there is a book called Bapu Kutir, by Rajni Bakshi. That’s the book credited at the beginning of the movie. Apparently, it was Rajni Bakshi who told Ashutosh about the real life hydro-electricity project and AID.

The village Charanpur which represents every element of India – caste diversities, the soil, the water resources, the problems of illiteracy, lack of infrastructure and a selfless Mother India in Kauveri-amma who in her very introduction scene is shown grooming yet another new born infant. The village Panchayat too has the same variety of characters as the Indian government would. First, of all, the Panchayat system is a coalition of five people, out of which one guy has a Laloo hairstyle and declares ‘hamra des duniya ka sabse mahaan des hai.’ There’s also a Fatima Beevi, a woman and from the minority community in the five running the village. Pretty much representative of the Indian system.

In the scene where the entire village watches ‘Yaadon Ki Baarat’ sitting on either side of the screen, Ashutosh uses plenty of cues. The movie sequence to suggest that the entire village irrespective of caste and creed (which represents every element of India in the film) gets together only during a movie, so true of India where cinema is religion.

Hence, Mohan uses the same canvas used for cinema during the power-cut to deliver his message of unity through the song ‘Yeh Taara Woh Tara.’ You can easily draw a parallel with Ashutosh using the medium of cinema and stars like Shah Rukh Khan to get his message across to the Indian population. The silhouette of Shah Rukh Khan (raising his arm, his typical regular standard steps and body language) on the canvas further substantiates the point. It is only in this song that Shah Rukh Khan is Shah Rukh Khan and not Mohan Bhargav. Swades needed a star to endorse the message. SRK was the star.

The movie is aptly titled ‘Yaadon Ki Baarat’ to take NRIs watching the movie down memory lane. The movie is about siblings SEPARATED due to circumstances. Aamir Khan plays the youngest son in that clip of ‘Yaadon Ki Baarat.’

To suggest separation and reunion, Ashutosh borrows heavily from two of India’s greatest tales – Ramayan and Mahabharath. Mohan is another name for Krishna, who was brought up by Yashodha. In the movie, Mohan is actually raised not by his own mother but by his nanny Kauveri Amma who he refers to as Yashodha in the scene when he meets her in the village after a decade.

In another occasion, in a direct reference during the Ramleela song (which has now been edited out of the movie by exhibitors), the director draws parallels between Gayatri Joshi as Gita playing Sita who is in Ravan’s captivity (Sita, according to the Ramayan, incidentally is the daughter of mother earth). Gita in the movie is the daughter of the soil, who stands for the ‘sanskar’ and ‘parampara.’ She was kidnapped when Ram was away during the exile of around 12 years, exactly the around the same number of years that Mohan was away from India.

The fictitious village is called Charanpur because it housed the temple that is supposed to have foot imprints of Ram and Sita.

On a lighter note, Gita is also the book of advice, which the heroine gives out liberally throughout to Mohan. 😉

Mohan when he meets Kauveri-amma for the first time, does not sip water that she gives him. He just puts it away (a close-up registers that the tumbler is still full) subtly. He’s also shown to be carrying a month’s supply of mineral water bottles.

But later when he meets the boy at the railway station selling water for 25 paise, a visibly shaken Mohan takes a sip from that tumbler. He doesn’t care if it’s contaminated. This is his country. The moment of epiphany.

On day one, Mohan wakes up from his caravan and has his bath inside the caravan too. In the course of the movie, the director shows him sleeping on the cot only to wake up and say ‘I haven’t had such deep sleep in a long time.’ And seems to be enjoying his bath by the well.

In one of the songs, Gita makes Mohan set foot into the temple tank. He does that and feels really good about it. This is when he’s just set foot into the country, nothing more. Later in the end when he’s completely surrendered to the country, he has a wash from the same temple tank as he uses that water to wash his body of the soil that is now part of him (the last frame of the movie).

The Swades Hangover!

December 20, 2004 · by sudhishkamath

Never has a movie played on more in my head than Swades did.

You can imagine. This is my third consecutive blog on the movie.

As I was just talking with a friend, the movie has so much soul to compensate every department it was found wanting in.

So much soul to move you to tears, and awaken the sleeping Indian in you. And if you are a Non Resident Indian missing home, this movie can do it. Make you book the next ticket home!

The best part of the movie is that it’s not idealistic. It’s very realistically done. If this were your regular mainstream movie, SRK would’ve decided by interval that he’s gonna stay back home and brought about utopian change by the end.

I’ve been covering the Chennai International Film Festival over the last three days and I got to watch quite a few movies.

Of which I fell in love with this movie called Celeste and Estrela, a Brazilian film which draws parallels between the process of love and filmmaking. It’s hilarious, thought-provoking and a very honest portrayal of what goes into filmmaking and what determines your final product.

Before you think it’s too technical, here’s a moment from the movie.

Estrela, the guy smitten by Celeste, watches the energetic filmmaker walk out of his room and says to himself: She’s a Comedy at times. And at times, Drama. Sometimes, she’s a Thriller, full of adventure. How I wish she were Romance… or at least Porn!

he he! When you actually remember moments from a movie, you can be sure, it’s a super movie. Which is why I think Swades is a classic! Watch it people… I wanna go again, like tonight. Who knows, I just might!

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